1. Écrire de main morte ou l’art de la césure chez Assia Djebar
  2. Mireille Calle-Gruber
  3. pp. 5-14
  4. DOI: 10.1353/esp.0.0038
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  1. Woman, Postcoloniality, Otherness: Djebar’s Discourses of Histoire and Algérianité
  2. H. Adlai Murdoch
  3. pp. 15-33
  4. DOI: 10.1353/esp.0.0032
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  1. La Querelle des discours: Techniques formelles de la réécriture de l’histoire dans L’Amour, la fantasia
  2. Veronika Thiel
  3. pp. 34-46
  4. DOI: 10.1353/esp.0.0033
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  1. Femme d’écriture française: la francographie djebarienne
  2. Muriel Walker
  3. pp. 47-55
  4. DOI: 10.1353/esp.0.0040
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  1. Itineraries of Desire and the Excesses of Home: Assia Djebar’s Cohabitation with “la langue adverse”
  2. Guilan Siassi
  3. pp. 56-68
  4. DOI: 10.1353/esp.0.0035
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  1. Psychoanalysis and Anamnesis in the National Allegory of Nawal El Saadawi and Assia Djebar
  2. Rita A. Faulkner
  3. pp. 69-80
  4. DOI: 10.1353/esp.0.0039
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  1. Introjection and Incorporation in Assia Djebar’s La Femme sans sépulture
  2. Anne Donadey
  3. pp. 81-91
  4. DOI: 10.1353/esp.0.0030
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  1. La Réédition de Femmes d’Alger dans leur appartement
  2. Carine Bourget
  3. pp. 92-103
  4. DOI: 10.1353/esp.0.0037
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  1. Ces voix au fil de soi(e): le détour du poétique
  2. Françoise Lionnet
  3. pp. 104-116
  4. DOI: 10.1353/esp.0.0027
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  1. Une visite dans l’atelier itinérant d’Assia Djebar
  2. Beïda Chikhi
  3. pp. 117-128
  4. DOI: 10.1353/esp.0.0036
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  1. “Silence on Silk,” or Writing in Flight
  2. Assia Djebar, Farida Abu-Haidar
  3. pp. 129-132
  4. DOI: 10.1353/esp.0.0028
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  1. Nulle part dans la maison de mon père (review)
  2. Salim Jay, Kathryn M. Schlosser
  3. pp. 133-134
  4. DOI: 10.1353/esp.0.0031
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  1. L’Esprit Créateur Volume 48, 2008
  2. pp. 135-136
  3. DOI: 10.1353/esp.0.0029
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  1. Introduction
  2. Anne Donadey
  3. pp. 1-4
  4. DOI: 10.1353/esp.0.0034
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