1. The Editor's Fence
  2. Robert Langenfeld
  3. pp. 3-5
  4. DOI: 10.2487/elt.52.1(2009)0028
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  1. The Drowning of Hubert Crackanthorpe and the Persecution of Leila Macdonald
  2. Jad Adams
  3. pp. 6-34
  4. DOI: 10.2487/elt.52.1(2009)0029
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  1. The Hound of the Baskervilles: Modern Belgian Masters, Paralyzing Spectacles, and the Art of Detection
  2. Nils Clausson
  3. pp. 35-48
  4. DOI: 10.2487/elt.52.1(2009)0030
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  1. Kipling's Imperial Aestheticism: Epistemologies of Art and Empire in Kim
  2. Jesse Oak Taylor
  3. pp. 49-69
  4. DOI: 10.2487/elt.52.1(2009)0031
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  1. The Complete Dramatic Works of H. Rider Haggard: A Review Essay
  2. Gerald Monsman
  3. pp. 70-76
  4. DOI: 10.2487/elt.52.1(2009)0032
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  1. Kipling's Uncollected Speeches
  2. Harold Orel
  3. pp. 77-80
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  1. Aesthetically Effective, Imperialist Retrograde
  2. Patrick Brantlinger
  3. pp. 81-83
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  1. Forster: Essayist & Memoirist
  2. J.H. Stape
  3. pp. 83-86
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  1. Wilde's Fairy Tales
  2. Josephine M. Guy
  3. pp. 86-92
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  1. Robert Louis Stevenson "Cruising"
  2. Shafquat Towheed
  3. pp. 92-95
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  1. No Mere Potboilers
  2. Michel W. Pharand
  3. pp. 95-97
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  1. The Manuscripts of Yeats's The Tower
  2. K.P.S. Jochum
  3. pp. 97-100
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  1. The Religion of Art
  2. John Conlon
  3. pp. 100-103
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  1. Joseph Conrad: Modernism, England & Empire
  2. Andrew Purssell
  3. pp. 103-106
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  1. Empire & the Fiction of Intrigue
  2. Kate MacDonald
  3. pp. 106-108
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  1. Modernist Aesthetic & Political Realities
  2. Timothy J. Sutton
  3. pp. 108-111
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  1. Poems of James Stephens
  2. Adrian Frazier
  3. pp. 112-114
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  1. An Invitation to the Wake
  2. John Gordon
  3. pp. 115-118
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