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Table of Contents

  1. Cellophane Glamour
  2. Judith Brown
  3. pp. 605-626
  4. DOI: https://doi.org/10.1353/mod.0.0035
  5. restricted access
  1. Cellophane Glamour
  2. Judith Brown
  3. pp. 605-626
  4. DOI: https://doi.org/10.1353/mod.0.0037
  5. restricted access
  1. 'Make the World Your Salon': Poetry and Community at the Arensberg Apartment
  2. Stephen Voyce
  3. pp. 627-646
  4. DOI: https://doi.org/10.1353/mod.0.0039
  5. restricted access
  1. Gertrude Stein, Bernard Faÿ, and the Ruthless Flowers of Friendship
  2. Barbara Will
  3. pp. 647-663
  4. DOI: https://doi.org/10.1353/mod.0.0043
  5. restricted access
  1. A Place of First Permission: Robert Duncan's Atlantis Dream
  2. Dan Featherston
  3. pp. 665-684
  4. DOI: https://doi.org/10.1353/mod.0.0024
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  1. English by Example: F. R. Leavis and the Americanization of Modern England
  2. Genevieve Abravanel
  3. pp. 685-701
  4. DOI: https://doi.org/10.1353/mod.0.0027
  5. restricted access
  1. Jackson Pollock's The Magic Mirror: Jung, Shamanism, and John Graham
  2. Evan R. Firestone
  3. pp. 703-724
  4. DOI: https://doi.org/10.1353/mod.0.0030
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  1. Magic Realism and Real Politics: Massimo Bontempelli's Literary Compromise
  2. Keala Jewell
  3. pp. 725-744
  4. DOI: https://doi.org/10.1353/mod.0.0033
  5. restricted access
  1. The Sound of Silence in Two of Jacob's Rooms
  2. Brad Bucknell
  3. pp. 761-781
  4. DOI: https://doi.org/10.1353/mod.0.0041
  5. restricted access
  1. Markish, Trakl, and the Temporaesthetic
  2. Jordan Finkin
  3. pp. 783-801
  4. DOI: https://doi.org/10.1353/mod.0.0045
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  1. Found and Lost: The Politics of Modernist Recovery
  2. Jane Garrity
  3. pp. 803-812
  4. DOI: https://doi.org/10.1353/mod.0.0026
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  1. Modernity is Crowd
  2. Claudio Fogu
  3. pp. 813-817
  4. DOI: https://doi.org/10.1353/mod.0.0029
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  1. Paradoxy of Modernism (review)
  2. Mark Wollaeger
  3. pp. 819-822
  4. DOI: https://doi.org/10.1353/mod.0.0032
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  1. The Little Magazine "Others" and the Renovation of Modern American Poetry (review)
  2. Matthew Luskey
  3. pp. 822-824
  4. DOI: https://doi.org/10.1353/mod.0.0036
  5. restricted access
  1. May Sinclair: Moving Towards the Modern (review)
  2. Terry Phillips
  3. pp. 825-826
  4. DOI: https://doi.org/10.1353/mod.0.0040
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  1. Front-Page Girls: Women Journalists in American Culture and Fiction, 1880-1930 (review)
  2. Joel H. Wiener
  3. pp. 826-828
  4. DOI: https://doi.org/10.1353/mod.0.0044
  5. restricted access
  1. Joyce, Ireland, Britain (review)
  2. Vicki Mahaffey
  3. pp. 828-830
  4. DOI: https://doi.org/10.1353/mod.0.0025
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  1. Haunted English: The Celtic Fringe, the British Empire, and De-Anglicization (review)
  2. Matthew Hart
  3. pp. 830-831
  4. DOI: https://doi.org/10.1353/mod.0.0028
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  1. Everyday Life in Early Soviet Russia: Taking the Revolution Inside (review)
  2. Barbara Walker
  3. pp. 832-834
  4. DOI: https://doi.org/10.1353/mod.0.0031
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  1. Optiques: The Science of the Eye and the Birth of Modern French Fiction (review)
  2. Dorothy Kelly
  3. pp. 834-835
  4. DOI: https://doi.org/10.1353/mod.0.0034
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  1. Das Gesamtkunstwerk der Moderne (review)
  2. Dorothea Dornhof
  3. pp. 836-838
  4. DOI: https://doi.org/10.1353/mod.0.0038
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  1. Keaton in Shorts
  2. Charles Wolfe
  3. pp. 839-844
  4. DOI: https://doi.org/10.1353/mod.0.0042
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  1. Recent Books of Interest
  3. pp. 845-847
  4. DOI: https://doi.org/10.1353/mod.0.0046
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