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In this Issue

Table of Contents

  1. Media Effects and the Subjectification of Film Regulation
  2. Theresa Cronin
  3. pp. 3-21
  4. DOI: https://doi.org/10.1353/vlt.0.0023
  5. restricted access
  1. The Hindu Right and the Politics of Censorship: Three Case Studies of Policing Hindi Cinema, 1992–2002
  2. Nandana Bose
  3. pp. 22-33
  4. DOI: https://doi.org/10.1353/vlt.0.0029
  5. restricted access
  1. Slashings and Subtitles: Romanian Media Piracy, Censorship, and Translation
  2. Tessa Dwyer, Ioana Uricaru
  3. pp. 45-57
  4. DOI: https://doi.org/10.1353/vlt.0.0026
  5. restricted access
  1. Censorship, Regulation, and Media Policy in the Twenty-First Century: A Roundtable on Critical Approaches
  2. pp. 58-60
  3. DOI: https://doi.org/10.1353/vlt.0.0028
  4. restricted access
  1. The Challenge of Censorship: "Figuring" out the Audience
  2. Martin Barker
  3. pp. 60-62
  4. DOI: https://doi.org/10.1353/vlt.0.0033
  5. restricted access
  1. "I Know It When I Hear It": The Case of the Blind Film Censor
  2. Kirsten Cather
  3. pp. 60-62
  4. DOI: https://doi.org/10.1353/vlt.0.0034
  5. restricted access
  1. How to Cope with the Death of Film Censorship
  2. Daniel Hickin
  3. pp. 63-64
  4. DOI: https://doi.org/10.1353/vlt.0.0030
  5. restricted access
  1. Intellectual Property in the Digital Age: Private Asset or Public Resource?
  2. Christopher J. Jordan
  3. pp. 64-66
  4. DOI: https://doi.org/10.1353/vlt.0.0031
  5. restricted access
  1. Reframing Film Censorship
  2. Monika Mehta
  3. pp. 66-69
  4. DOI: https://doi.org/10.1353/vlt.0.0032
  5. restricted access
  1. The Future of U.S. Film Censorship Studies
  2. Kevin S. Sandler
  3. pp. 69-71
  4. DOI: https://doi.org/10.1353/vlt.0.0035
  5. restricted access
  1. Harnessing the Technicolor Rainbow: Color Design in the 1930s (review)
  2. Lisa Schmidt
  3. pp. 72-74
  4. DOI: https://doi.org/10.1353/vlt.0.0024
  5. restricted access
  1. Brand Hollywood: Selling Entertainment in a Global Media Age (review)
  2. Courtney Brannon Donoghue
  3. pp. 75-77
  4. DOI: https://doi.org/10.1353/vlt.0.0025
  5. restricted access
  1. Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics (review)
  2. Andrew Scahill
  3. pp. 78-80
  4. DOI: https://doi.org/10.1353/vlt.0.0022
  5. restricted access
  1. Introduction
  2. pp. 1-2
  3. DOI: https://doi.org/10.1353/vlt.0.0021
  4. restricted access

Previous Issue

Number 62, Fall 2008