1. The Follies of War: Cross-Dressing and Popular Theatre on the British Front Lines, 1914-18
  2. David A. Boxwell
  3. pp. 1-20
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  1. "The Cult of the Clitoris": Anatomy of a National Scandal
  2. Jodie Medd
  3. pp. 21-49
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  1. "Kiss Me, Hardy": Intimacy, Gender, and Gesture in First World War Trench Literature
  2. Santanu Das
  3. pp. 51-74
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  1. "A Peculiar Power and Rottenness": Annihilating Desire in James Hanley's The German Prisoner
  2. Anne Rice
  3. pp. 75-89
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  1. Authenticity and Art in Trauma Narratives of World War I
  2. Margaret R. Higonnet
  3. pp. 91-107
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  1. Mary Borden's Forbidden Zone : Women's Writing from No-Man's-Land
  2. Ariela Freedman
  3. pp. 109-124
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  1. Mrs. Dalloway's Postwar Elegy: Women, War, and the Art of Mourning
  2. Christine Froula
  3. pp. 125-163
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  1. Sexual Modernity as Subject and Object
  2. Matti Bunzl
  3. pp. 165-175
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  1. The Stieglitz Circle Retraced
  2. Robin Earle Kelsey
  3. pp. 177-184
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  1. Writing History, Writing Trauma (review)
  2. Walter B. Kalaidjian
  3. pp. 185-187
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  1. French Modernisms: Perspectives on Art Before, During, and After Vichy (review)
  2. Philip G. Nord
  3. pp. 187-189
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  1. In the Process of Poetry: The New York School and the Avant-Garde (review)
  2. Oren Izenberg
  3. pp. 189-191
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  1. Anarchist Modernism: Art, Politics, and the First American Avant-Garde (review)
  2. Jody Blake
  3. pp. 191-192
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  1. Displaying the Marvelous: Marcel Duchamp, Salvador Dali, and Surrealist Exhibition Installations (review)
  2. Dickran Tashjian
  3. pp. 193-194
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  1. Science is Fiction: The Films of Jean Painleve (review)
  2. Oliver Gaycken
  3. pp. 195-196
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  1. Weimar Cinema and After: Germany's Historical Imaginary (review)
  2. Noah William Isenberg
  3. pp. 197-198
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  1. The Madonna of the Future: Essays in a Pluralistic Art World (review)
  2. Paul Reitter
  3. pp. 198-200
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  1. Faking Literature (review)
  2. Larry McCaffery
  3. pp. 200-202
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  1. Recent Books of Interest
  2. pp. 203-204
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