restricted access   Volume 9, Number 1, January 2002

Table of Contents

From: Modernism/modernity

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Recent Books of Interest

pp. 203-204
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Articles

The Follies of War: Cross-Dressing and Popular Theatre on the British Front Lines, 1914-18

pp. 1-20
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"The Cult of the Clitoris": Anatomy of a National Scandal

pp. 21-49
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"Kiss Me, Hardy": Intimacy, Gender, and Gesture in First World War Trench Literature

pp. 51-74
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"A Peculiar Power and Rottenness": Annihilating Desire in James Hanley's The German Prisoner

pp. 75-89
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Authenticity and Art in Trauma Narratives of World War I

pp. 91-107
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Mary Borden's Forbidden Zone : Women's Writing from No-Man's-Land

pp. 109-124
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Mrs. Dalloway's Postwar Elegy: Women, War, and the Art of Mourning

pp. 125-163
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Review Essays

Sexual Modernity as Subject and Object

pp. 165-175
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The Stieglitz Circle Retraced

pp. 177-184
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Book Reviews

Writing History, Writing Trauma (review)

pp. 185-187
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French Modernisms: Perspectives on Art Before, During, and After Vichy (review)

pp. 187-189
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In the Process of Poetry: The New York School and the Avant-Garde (review)

pp. 189-191
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Anarchist Modernism: Art, Politics, and the First American Avant-Garde (review)

pp. 191-192
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Displaying the Marvelous: Marcel Duchamp, Salvador Dali, and Surrealist Exhibition Installations (review)

pp. 193-194
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Science is Fiction: The Films of Jean Painleve (review)

pp. 195-196
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Weimar Cinema and After: Germany's Historical Imaginary (review)

pp. 197-198
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The Madonna of the Future: Essays in a Pluralistic Art World (review)

pp. 198-200
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Faking Literature (review)

pp. 200-202
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