48, Number 1, Fall 2008

Table of Contents

Examples in Theory: Interpassive Illustrations and Celluloid Fetishism

pp. 3-26
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The New Wave Meets the Tradition of Quality: Jacques Demy’s The Umbrellas of Cherbourg

pp. 27-50
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“Feed Me!”: Power Struggles and the Portrayal of Race in Little Shop of Horrors

pp. 51-67
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Pop Go the Warner Bros., et al.: Marketing Film Songs during the Coming of Sound

pp. 68-89
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The Eye of the Frog: Questions of Space in Films Using Digital Processes

pp. 90-110
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Conference Report: Border Crossings: Rethinking Silent Cinema, February 8–10, 2008, University of California, Berkeley

pp. 111-114
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In Focus: Sound Studies

Foregrounding Sound: New (and Old) Directions in Sound Studies

pp. 115-117
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Inattentive Engagements: The New Problematics of Sound and Music

pp. 118-123
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Sound Studies: Missing the (Popular) Music for the Screens?

pp. 123-130
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Radio’s Cultural Turns

pp. 130-138
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Re-Enchanting Radio

pp. 138-145
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Contributors

Contributors

pp. 145-146
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Book Reviews

Electric Sounds: Technological Change and the Rise of Corporate Mass Media (review)

pp. 147-149
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Sound Design & Science Fiction (review)

pp. 150-153
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Making Beats: The Art of Sample-Based Hip-Hop (review)

pp. 154-156
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Contributors

Contributors

p. 156
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Errata>

Errata

p. 157
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