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Browse Book and Journal Content on Project MUSE

  48, Number 1, Fall 2008

Table of Contents

Examples in Theory: Interpassive Illustrations and Celluloid Fetishism

pp. 3-26 | DOI: 10.1353/cj.0.0060

The New Wave Meets the Tradition of Quality: Jacques Demy’s The Umbrellas of Cherbourg

pp. 27-50 | DOI: 10.1353/cj.0.0062

“Feed Me!”: Power Struggles and the Portrayal of Race in Little Shop of Horrors

pp. 51-67 | DOI: 10.1353/cj.0.0064

Pop Go the Warner Bros., et al.: Marketing Film Songs during the Coming of Sound

pp. 68-89 | DOI: 10.1353/cj.0.0066

The Eye of the Frog: Questions of Space in Films Using Digital Processes

pp. 90-110 | DOI: 10.1353/cj.0.0068

Conference Report: Border Crossings: Rethinking Silent Cinema, February 8–10, 2008, University of California, Berkeley

pp. 111-114 | DOI: 10.1353/cj.0.0058

In Focus: Sound Studies

Foregrounding Sound: New (and Old) Directions in Sound Studies

pp. 115-117 | DOI: 10.1353/cj.0.0059

Inattentive Engagements: The New Problematics of Sound and Music

pp. 118-123 | DOI: 10.1353/cj.0.0069

Sound Studies: Missing the (Popular) Music for the Screens?

pp. 123-130 | DOI: 10.1353/cj.0.0070

Radio’s Cultural Turns

pp. 130-138 | DOI: 10.1353/cj.0.0071

Re-Enchanting Radio

pp. 138-145 | DOI: 10.1353/cj.0.0072



pp. 145-146 | DOI: 10.1353/cj.0.0073

Book Reviews

Electric Sounds: Technological Change and the Rise of Corporate Mass Media (review)

pp. 147-149 | DOI: 10.1353/cj.0.0061

Sound Design & Science Fiction (review)

pp. 150-153 | DOI: 10.1353/cj.0.0063

Making Beats: The Art of Sample-Based Hip-Hop (review)

pp. 154-156 | DOI: 10.1353/cj.0.0065



p. 156 | DOI: 10.1353/cj.0.0074



p. 157 | DOI: 10.1353/cj.0.0067

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