1. Examples in Theory: Interpassive Illustrations and Celluloid Fetishism
  2. Boaz Hagin
  3. pp. 3-26
  4. DOI: 10.1353/cj.0.0060
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  1. The New Wave Meets the Tradition of Quality: Jacques Demy’s The Umbrellas of Cherbourg
  2. Rodney Hill
  3. pp. 27-50
  4. DOI: 10.1353/cj.0.0062
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  1. “Feed Me!”: Power Struggles and the Portrayal of Race in Little Shop of Horrors
  2. Marc Jensen
  3. pp. 51-67
  4. DOI: 10.1353/cj.0.0064
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  1. Pop Go the Warner Bros., et al.: Marketing Film Songs during the Coming of Sound
  2. Katherine Spring
  3. pp. 68-89
  4. DOI: 10.1353/cj.0.0066
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  1. The Eye of the Frog: Questions of Space in Films Using Digital Processes
  2. Deborah Tudor
  3. pp. 90-110
  4. DOI: 10.1353/cj.0.0068
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  1. Conference Report: Border Crossings: Rethinking Silent Cinema, February 8–10, 2008, University of California, Berkeley
  2. Steve Choe
  3. pp. 111-114
  4. DOI: 10.1353/cj.0.0058
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  1. Foregrounding Sound: New (and Old) Directions in Sound Studies
  2. Michele Hilmes
  3. pp. 115-117
  4. DOI: 10.1353/cj.0.0059
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  1. Inattentive Engagements: The New Problematics of Sound and Music
  2. Anahid Kassabian
  3. pp. 118-123
  4. DOI: 10.1353/cj.0.0069
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  1. Sound Studies: Missing the (Popular) Music for the Screens?
  2. Norma Coates
  3. pp. 123-130
  4. DOI: 10.1353/cj.0.0070
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  1. Radio’s Cultural Turns
  2. David Hendy
  3. pp. 130-138
  4. DOI: 10.1353/cj.0.0071
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  1. Re-Enchanting Radio
  2. Anna Friz
  3. pp. 138-145
  4. DOI: 10.1353/cj.0.0072
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  1. Electric Sounds: Technological Change and the Rise of Corporate Mass Media (review)
  2. Jonathan Sterne
  3. pp. 147-149
  4. DOI: 10.1353/cj.0.0061
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  1. Sound Design & Science Fiction (review)
  2. Jay Beck
  3. pp. 150-153
  4. DOI: 10.1353/cj.0.0063
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  1. Making Beats: The Art of Sample-Based Hip-Hop (review)
  2. Tim Anderson
  3. pp. 154-156
  4. DOI: 10.1353/cj.0.0065
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  1. Errata
  2. p. 157
  3. DOI: 10.1353/cj.0.0067
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  1. Contributors
  2. pp. 145-146
  3. DOI: 10.1353/cj.0.0073
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  1. Contributors
  2. p. 156
  3. DOI: 10.1353/cj.0.0074
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