restricted access   Volume 8, Number 3, September 2001

Table of Contents

From: Modernism/modernity

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Errata

p. iii
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Recent Books of Interest

pp. 553-558
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Articles

Introduction

pp. 385-387
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Appreciation, Depreciation: Modernism's Speculative Bubble

pp. 389-403
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The Liberation of Gertrude Stein: War and Writing

pp. 405-428
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"Delight in Dislocation": The Cinematic Modernism of Stein, Chaplin, and Man Ray

pp. 429-452
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Modernism's Victorian Bric-a-brac

pp. 453-470
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Thesmophoria: Suffragettes, Sympathetic Magic, and H.D.'s Ritual Poetics

pp. 471-492
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Definitional Excursions: The Meanings of Modern/Modernity/Modernism

pp. 493-513
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Book Reviews

James Merrill's Apocalypse (review)

pp. 515-517
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Eliot's Dark Angel: Intersections of Life and Art (review)

pp. 517-519
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The Great War in Irish Poetry: W.B. Yeats to Michael Longley (review)

pp. 519-521
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Writing War in the Twentieth Century (review)

pp. 521-522
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The Construction of Memory in Interwar France (review)

pp. 523-524
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Trauma: A Genealogy (review)

pp. 525-527
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Modernism, Mass Culture, and the Aesthetics of Obscenity (review)

pp. 527-529
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Fashioning Sapphism: The Origins of a Modern English Lesbian Culture (review)

pp. 530-531
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The Public Face of Modernism: Little Magazines, Audiences, and Reception, 1905-1920 (review)

pp. 531-533
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Virginia Woolf Icon (review)

pp. 534-536
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The Phantom Table: Woolf, Fry, Russell, and the Epistemology of Modernism (review)

pp. 536-538
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The Eye's Mind: Literary Modernism and Visual Culture (review)

pp. 538-540
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Modernism, Nationalism, and the Novel (review)

pp. 540-541
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Dirt and Desire: Reconstructing Southern Women's Writing, 1930-1990 (review)

pp. 542-543
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Work and the Image, Volume I: Work, Craft, and Labour: Visual Representations in Changing Histories, and: Volume II: Work in Modern Times: Visual Mediations and Social Processes (review)

pp. 543-546
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New Deal Modernism: American Literature and the Invention of the Welfare State (review)

pp. 546-548
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After Ontology: Literary Theory and Modernist Poetics (review)

pp. 548-549
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Making Music Modern: New York in the 1920s (review)

pp. 550-551
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