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In this Issue

Table of Contents

  1. Recent Books of Interest
  3. pp. 381-383
  4. DOI: https://doi.org/10.1353/mod.2001.0018
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Articles

  1. Watchman, Spy, and Dead Man: Jasper Johns, Frank O'Hara, John Cage and the "Aesthetic of Indifference"
  2. Marjorie Perloff
  3. pp. 197-223
  4. DOI: https://doi.org/10.1353/mod.2001.0037
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  1. The Political Katherine Mansfield
  2. Lee Garver
  3. pp. 225-243
  4. DOI: https://doi.org/10.1353/mod.2001.0022
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  1. Ornament, Gender, and Interiority in Viennese Expressionism
  2. Sherwin Simmons
  3. pp. 245-276
  4. DOI: https://doi.org/10.1353/mod.2001.0042
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Kafka Symposium, Compiled by David Levin and Eric Santner

  1. Kafka Symposium: Introduction
  2. Eric L. Santner, David J. Levin
  3. pp. 277-279
  4. DOI: https://doi.org/10.1353/mod.2001.0039
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  1. Allotria and Excreta in "In the Penal Colony" For Rachel Magshamhrain
  2. Stanley Corngold
  3. pp. 281-293
  4. DOI: https://doi.org/10.1353/mod.2001.0019
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  1. Lessons of the Cryptograph: Revelation and the Mechanical in Kafka's "In the Penal Colony"
  2. Andreas Gailus
  3. pp. 295-302
  4. DOI: https://doi.org/10.1353/mod.2001.0021
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  1. The Foreignness of Power: Alterity and Subversion in Kafka's "In the Penal Colony" and Beyond
  2. Danilyn Rutherford
  3. pp. 303-313
  4. DOI: https://doi.org/10.1353/mod.2001.0038
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  1. Laughter, Gesture, and Flesh: Kafka's "In the Penal Colony"
  2. Malynne Sternstein
  3. pp. 315-323
  4. DOI: https://doi.org/10.1353/mod.2001.0046
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  1. Sounding Silence
  2. Danielle S. Allen
  3. pp. 325-334
  4. DOI: https://doi.org/10.1353/mod.2001.0016
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Book Reviews

  1. Toy Medium: Materialism and the Modern Lyric (review)
  2. Lisa Malinowski Steinman
  3. pp. 335-336
  4. DOI: https://doi.org/10.1353/mod.2001.0045
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  1. Sound Technology and the American Cinema (review)
  2. Douglas Kahn
  3. pp. 337-338
  4. DOI: https://doi.org/10.1353/mod.2001.0027
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  1. Transforming Images: How Photography Complicates the Picture (review)
  2. Patrick Maynard
  3. pp. 338-340
  4. DOI: https://doi.org/10.1353/mod.2001.0032
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  1. Streetwalking the Metropolis: Women, the City, and Modernity (review)
  2. Margaret Soltan
  3. pp. 340-342
  4. DOI: https://doi.org/10.1353/mod.2001.0043
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  1. Political and Religious Ideas in the Works of Arnold Schoenberg (review)
  2. Anne Chatoney Shreffler
  3. pp. 342-344
  4. DOI: https://doi.org/10.1353/mod.2001.0040
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  1. Wyndham Lewis: Painter and Writer (review)
  2. Thaine Stearns
  3. pp. 344-345
  4. DOI: https://doi.org/10.1353/mod.2001.0044
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  1. Literature, Politics, and the English Avant-Garde: Nation and Empire, 1901-1918 (review)
  2. Timothy Materer
  3. pp. 345-347
  4. DOI: https://doi.org/10.1353/mod.2001.0031
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  1. Pulp Surrealism: Insolent Popular Culture in Early Twentieth-Century Paris (review)
  2. Scarlett Higgins
  3. pp. 347-349
  4. DOI: https://doi.org/10.1353/mod.2001.0026
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  1. Fashioning Vienna: Adolf Loos's Cultural Criticism (review)
  2. Matthias Konzett
  3. pp. 349-350
  4. DOI: https://doi.org/10.1353/mod.2001.0028
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  1. Conversations with Picasso (review)
  2. Elizabeth Siegel
  3. pp. 351-352
  4. DOI: https://doi.org/10.1353/mod.2001.0041
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  1. Siegfried Kracauer: An Introduction (review)
  2. Edward Dimendberg
  3. pp. 353-354
  4. DOI: https://doi.org/10.1353/mod.2001.0020
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  1. Georges Bataille and the Mysticism of Sin (review)
  2. Stephen E. Lewis
  3. pp. 354-356
  4. DOI: https://doi.org/10.1353/mod.2001.0030
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  1. Untwisting the Serpent: Modernism in Music, Literature, and the Other Arts (review)
  2. Jonathan Gill
  3. pp. 357-358
  4. DOI: https://doi.org/10.1353/mod.2001.0023
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  1. Five Portraits: Modernity and the Imagination in Twentieth-Century German Writing (review)
  2. Theodore Ziolkowski
  3. pp. 359-360
  4. DOI: https://doi.org/10.1353/mod.2001.0049
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  1. The Cambridge History of Literary Criticism. Volume VII: Modernism and the New Criticism (review)
  2. Steven Monte
  3. pp. 360-362
  4. DOI: https://doi.org/10.1353/mod.2001.0035
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  1. The Novel in England, 1900-1950: History and Theory (review)
  2. Peter Nicholls
  3. pp. 362-364
  4. DOI: https://doi.org/10.1353/mod.2001.0036
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  1. Mayhem and Murder: Narrative and Moral Problems in the Detective Story (review)
  2. Jon Hegglund
  3. pp. 364-366
  4. DOI: https://doi.org/10.1353/mod.2001.0025
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  1. Emigre New York: French Intellectuals in Wartime Manhattan, 1940-1944 (review)
  2. Philip Watts
  3. pp. 366-367
  4. DOI: https://doi.org/10.1353/mod.2001.0047
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  1. The Collaborator: The Trial and Execution of Robert Brasillach (review)
  2. Mary Jean Matthews Green
  3. pp. 367-369
  4. DOI: https://doi.org/10.1353/mod.2001.0024
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  1. Passionate Discontent: Creativity, Gender, and French Symbolist Art (review)
  2. Patricia Dee Leighten
  3. pp. 369-371
  4. DOI: https://doi.org/10.1353/mod.2001.0029
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  1. Queering the Color Line: Race and the Invention of Homosexuality in American Culture (review)
  2. Dwight A. McBride
  3. pp. 371-373
  4. DOI: https://doi.org/10.1353/mod.2001.0033
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  1. Doing Time: Feminist Theory and Postmodern Culture (review)
  2. Laura A. Winkiel
  3. pp. 373-375
  4. DOI: https://doi.org/10.1353/mod.2001.0048
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  1. Membranes: Metaphors of Invasion in Nineteenth-Century Literature, Science, and Politics (review)
  2. Ian F. A. Bell
  3. pp. 375-377
  4. DOI: https://doi.org/10.1353/mod.2001.0017
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  1. Henry James and the Modern Moral Life (review)
  2. Collin Meissner
  3. pp. 377-379
  4. DOI: https://doi.org/10.1353/mod.2001.0034
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