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  Volume 8, Number 2, April 2001

Table of Contents

From: Modernism/modernity

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Recent Books of Interest

pp. 381-383 | DOI: 10.1353/mod.2001.0018


Watchman, Spy, and Dead Man: Jasper Johns, Frank O'Hara, John Cage and the "Aesthetic of Indifference"

pp. 197-223 | DOI: 10.1353/mod.2001.0037

The Political Katherine Mansfield

pp. 225-243 | DOI: 10.1353/mod.2001.0022

Ornament, Gender, and Interiority in Viennese Expressionism

pp. 245-276 | DOI: 10.1353/mod.2001.0042

Kafka Symposium, Compiled by David Levin and Eric Santner

Kafka Symposium: Introduction

pp. 277-279 | DOI: 10.1353/mod.2001.0039

Allotria and Excreta in "In the Penal Colony" For Rachel Magshamhrain

pp. 281-293 | DOI: 10.1353/mod.2001.0019

Lessons of the Cryptograph: Revelation and the Mechanical in Kafka's "In the Penal Colony"

pp. 295-302 | DOI: 10.1353/mod.2001.0021

The Foreignness of Power: Alterity and Subversion in Kafka's "In the Penal Colony" and Beyond

pp. 303-313 | DOI: 10.1353/mod.2001.0038

Laughter, Gesture, and Flesh: Kafka's "In the Penal Colony"

pp. 315-323 | DOI: 10.1353/mod.2001.0046

Sounding Silence

pp. 325-334 | DOI: 10.1353/mod.2001.0016

Book Reviews

Toy Medium: Materialism and the Modern Lyric (review)

pp. 335-336 | DOI: 10.1353/mod.2001.0045

Sound Technology and the American Cinema (review)

pp. 337-338 | DOI: 10.1353/mod.2001.0027

Transforming Images: How Photography Complicates the Picture (review)

pp. 338-340 | DOI: 10.1353/mod.2001.0032

Streetwalking the Metropolis: Women, the City, and Modernity (review)

pp. 340-342 | DOI: 10.1353/mod.2001.0043

Political and Religious Ideas in the Works of Arnold Schoenberg (review)

pp. 342-344 | DOI: 10.1353/mod.2001.0040

Wyndham Lewis: Painter and Writer (review)

pp. 344-345 | DOI: 10.1353/mod.2001.0044

Literature, Politics, and the English Avant-Garde: Nation and Empire, 1901-1918 (review)

pp. 345-347 | DOI: 10.1353/mod.2001.0031

Pulp Surrealism: Insolent Popular Culture in Early Twentieth-Century Paris (review)

pp. 347-349 | DOI: 10.1353/mod.2001.0026

Fashioning Vienna: Adolf Loos's Cultural Criticism (review)

pp. 349-350 | DOI: 10.1353/mod.2001.0028

Conversations with Picasso (review)

pp. 351-352 | DOI: 10.1353/mod.2001.0041

Siegfried Kracauer: An Introduction (review)

pp. 353-354 | DOI: 10.1353/mod.2001.0020

Georges Bataille and the Mysticism of Sin (review)

pp. 354-356 | DOI: 10.1353/mod.2001.0030

Untwisting the Serpent: Modernism in Music, Literature, and the Other Arts (review)

pp. 357-358 | DOI: 10.1353/mod.2001.0023

Five Portraits: Modernity and the Imagination in Twentieth-Century German Writing (review)

pp. 359-360 | DOI: 10.1353/mod.2001.0049

The Cambridge History of Literary Criticism. Volume VII: Modernism and the New Criticism (review)

pp. 360-362 | DOI: 10.1353/mod.2001.0035

The Novel in England, 1900-1950: History and Theory (review)

pp. 362-364 | DOI: 10.1353/mod.2001.0036

Mayhem and Murder: Narrative and Moral Problems in the Detective Story (review)

pp. 364-366 | DOI: 10.1353/mod.2001.0025

Emigre New York: French Intellectuals in Wartime Manhattan, 1940-1944 (review)

pp. 366-367 | DOI: 10.1353/mod.2001.0047

The Collaborator: The Trial and Execution of Robert Brasillach (review)

pp. 367-369 | DOI: 10.1353/mod.2001.0024

Passionate Discontent: Creativity, Gender, and French Symbolist Art (review)

pp. 369-371 | DOI: 10.1353/mod.2001.0029

Queering the Color Line: Race and the Invention of Homosexuality in American Culture (review)

pp. 371-373 | DOI: 10.1353/mod.2001.0033

Doing Time: Feminist Theory and Postmodern Culture (review)

pp. 373-375 | DOI: 10.1353/mod.2001.0048

Membranes: Metaphors of Invasion in Nineteenth-Century Literature, Science, and Politics (review)

pp. 375-377 | DOI: 10.1353/mod.2001.0017

Henry James and the Modern Moral Life (review)

pp. 377-379 | DOI: 10.1353/mod.2001.0034

Research Areas


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