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In this Issue

Table of Contents

  1. Why Live?: Performance in the Age of Digital Reproduction
  2. Nicolas Collins
  3. pp. 7-8
  4. restricted access
  1. Listening to History: Some Proposals for Reclaiming the Practice of Live Music
  2. Jon Rose
  3. pp. 9-16
  4. restricted access
  1. When Sound Meets Movement: Performance in Electronic Dance Music
  2. Pedro Peixoto Ferreira
  3. pp. 17-20
  4. restricted access
  1. The Musical Experience through the Lens of Embodiment
  2. Greg Corness
  3. pp. 21-24
  4. restricted access
  1. Getting the Hands Dirty
  2. John Richards
  3. pp. 25-31
  4. restricted access
  1. Sound Jewelry
  2. Takuya Yamauchi, Toru Iwatake
  3. pp. 33-37
  4. restricted access
  1. A Cure for Musicians Afflicted with Baumol's Disease: Squeezing More Music out of Performance in the Age of Digital Reproduction
  2. Matthew C. Lawyer
  3. p. 39
  4. restricted access
  1. Intimachines
  2. Michael Filimowicz
  3. p. 40
  4. restricted access
  1. Stage, A Final Frontier
  2. Erwin Roebroeks
  3. p. 41
  4. restricted access
  1. Antecedents of Digital Reproduction in Jazz Improvisation
  2. Scott J. Simon
  3. pp. 41-42
  4. restricted access
  1. Travelers inside Pianos: Spurious Landscapes
  2. Brett Ian Balogh
  3. pp. 42-43
  4. restricted access
  1. On Missing the Live of the Everyday Ambient
  2. Natalie Bell
  3. pp. 43-44
  4. restricted access
  1. Collaborative Creation, Live Performance and Flock
  2. Jason Freeman
  3. pp. 44-45
  4. restricted access
  1. Whale Music: Anatomy of an Interspecies Duet
  2. David Rothenberg
  3. pp. 47-53
  4. restricted access
  1. Eavesdropping: Network Mediated Performance in Social Space
  2. Jack Stockholm
  3. pp. 55-58
  4. restricted access
  1. Structure in the Dimension of Liveness and Mediation
  2. Jeffrey M. Morris
  3. pp. 59-61
  4. restricted access
  1. The Hypothesis of Self-Organization for Musical Tuning Systems
  2. Jean-Julien Aucouturier, Eduardo R. Miranda
  3. pp. 63-69
  4. restricted access
  1. The Biography of the Sample: Notes on the Hidden Contexts of Acousmatic Art
  2. Joe Milutis
  3. pp. 71-75
  4. restricted access
  1. Glenn Gould, the Vanishing Performer and the Ambivalence of the Studio
  2. Tim Hecker
  3. pp. 77-83
  4. restricted access
  1. Tracklist and Credits
  2. Click Nilson
  3. pp. 86-87
  4. restricted access
  1. Why Record?: Life in the Age of Digital Performance
  2. Click Nilson
  3. pp. 88-96
  4. restricted access
  1. Terumi Narushima: He resonates five toes . . .
  2. Terumi Narushima
  3. p. 89
  4. restricted access
  1. Theconcatenator: Placard XP edit
  2. Diemo Schwarz, Etienne Brunet
  3. pp. 89-90
  4. restricted access
  1. Theconcatenator: Placard XP edit
  2. Diemo Schwarz, Etienne Brunet
  3. pp. 89-90
  4. restricted access
  1. PowerBooks_unPlugged: Globophagia no 1.
  2. Jan-Kees van Kampen, Renate Wieser, Hannes Hölzl, Echo Ho, Alberto de Campo, Julian Rohrhuber
  3. p. 90
  4. restricted access
  1. PowerBooks_unPlugged: Globophagia no 1.
  2. PowerBooks_unPlugged
  3. p. 90
  4. restricted access
  1. Moscow Laptop Cyber Orchestra (CybOrk): Cyberjam0307
  2. Moscow Laptop Cyber Orchestra
  3. pp. 90-91
  4. restricted access
  1. Moscow Laptop Cyber Orchestra (CybOrk): Cyberjam0307
  2. Moscow Laptop Cyber Orchestra
  3. pp. 90-91
  4. restricted access
  1. Jose Ignacio Lopez Ramírez-Gastón (El Lazo Invisible): Madrid 5 No Espera a Nadie
  2. Jose Ignacio Lopez Ramírez-Gastón
  3. pp. 91-92
  4. restricted access
  1. Jose Ignacio Lopez Ramírez-Gastón (El Lazo Invisible): Madrid 5 No Espera a Nadie
  2. Jose Ignacio Lopez Ramírez-Gastón
  3. pp. 91-92
  4. restricted access
  1. slub: Phone_Mr_Biskov
  2. Dave Griffiths, Alex McLean, Adrian Ward
  3. p. 92
  4. restricted access
  1. slub: Phone_Mr_Biskov
  2. Dave Griffiths, Alex McLean, Adrian Ward
  3. p. 92
  4. restricted access
  1. Mazen Kerbaj: VRT
  2. Mazen Kerbaj
  3. pp. 92-93
  4. restricted access
  1. Mazen Kerbaj: VRRRT
  2. Mazen Kerbaj
  3. pp. 92-93
  4. restricted access
  1. Barnwave: Prancing
  2. Kevin Blechdom, Christopher Fleeger
  3. pp. 93-94
  4. restricted access
  1. Barnwave: Prancing
  2. Kevin Blechdom, Christopher Fleeger
  3. pp. 93-94
  4. restricted access
  1. Federico Schumacher: Print . . . ?
  2. Federico Schumacher
  3. p. 94
  4. restricted access
  1. Shelly Knotts: Chordophonia
  2. Shelly Knotts
  3. p. 94
  4. restricted access
  1. Federico Schumacher: Print . . . ?
  2. Pueblo Nuevo Netlabel
  3. p. 94
  4. restricted access
  1. Shelly Knotts: Chordophonia
  2. Shelly Knotts
  3. p. 94
  4. restricted access
  1. Kassen: Ill at ease at home?
  2. Kassen
  3. pp. 94-95
  4. restricted access
  1. Kassen: Ill at ease at home?
  2. Kassen
  3. pp. 94-95
  4. restricted access
  1. Yunasi: Kumbe Kumbe
  2. Yunasi
  3. p. 95
  4. restricted access
  1. Yunasi: Kumbe Kumbe
  2. Yunasi
  3. p. 95
  4. restricted access
  1. Thor Magnusson and Rúnar Magnússon: Giooia—a variation of SameSameButDifferent v.02—Iceland
  2. Thor Magnusson, Rúnar Magnússon
  3. pp. 95-96
  4. restricted access
  1. Thor Magnusson and Rúnar Magnússon: Giooia—a variation of SameSameButDifferent v.02—Iceland
  2. Thor Magnusson, Rúnar Magnússon
  3. pp. 95-96
  4. restricted access
  1. Rohan Drape: Piano & Sine Tones #15
  2. Rohan Drape
  3. p. 96
  4. restricted access
  1. Wang Changcun: 2008020912
  2. Wang Changcun
  3. p. 96
  4. restricted access
  1. Rohan Drape: Piano & Sine Tones #15
  2. Rohan Drape
  3. p. 96
  4. restricted access
  1. Wang Changcun: 2008020912
  2. Wang Changcun
  3. p. 96
  4. restricted access
  1. 2008 Author Index: Leonardo Volume 42 and Leonardo Music Journal Volume 18
  2. pp. 97-101
  3. restricted access
  1. 2008 LEA Author Index: Leonardo Electronic Almanac Volume 16 (January-August 2008)
  2. pp. 101-102
  3. restricted access
  1. Leonardo Network News
  2. pp. 104-105
  3. restricted access

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Volume 19, 2009