1. The Dissipating Nature of Decadent Paganism from Pater to Yeats
  2. Dennis Denisoff
  3. pp. 431-446
  4. DOI: 10.1353/mod.0.0001
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  1. Aubrey Beardsley and H. D.’s “Astrid”: The Ghost and Mrs. Pugh of Decadent Aestheticism and Modernity
  2. Carolyn A. Kelley
  3. pp. 447-475
  4. DOI: 10.1353/mod.0.0002
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  1. William Morris, Print Culture, and the Politics of Aestheticism
  2. Elizabeth Carolyn Miller
  3. pp. 477-502
  4. DOI: 10.1353/mod.0.0003
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  1. Nightwood’s Freak Dandies: Decadence in the 1930s
  2. Robin Blyn
  3. pp. 503-526
  4. DOI: 10.1353/mod.0.0004
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  1. Aestheticism’s Afterlife: Wallace Stevens as Interior Decorator and Disruptor
  2. Elisabeth Oliver
  3. pp. 527-545
  4. DOI: 10.1353/mod.0.0005
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  1. Messrs. Millais and Hunt
  2. Théophile Gautier, Marie-Hélène Girard
  3. pp. 549-555
  4. DOI: 10.1353/mod.0.0006
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  1. George Oppen and the Limits of Words
  2. Stephen Burt
  3. pp. 557-565
  4. DOI: 10.1353/mod.0.0007
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  1. The Art of Eloquence: Byron, Dickens, Tennyson, Joyce (review)
  2. John Coyle
  3. pp. 567-568
  4. DOI: 10.1353/mod.0.0010
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  1. Archive Style: Photographs and Illustrations for U.S. Surveys, 1850–1890 (review)
  2. Blake Stimson
  3. pp. 569-571
  4. DOI: 10.1353/mod.0.0018
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  1. Ezra Pound: Poet. A Portrait of the Man and His Work. I: The Young Genius 1885–1920 (review)
  2. Peter Nicholls
  3. pp. 571-573
  4. DOI: 10.1353/mod.0.0014
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  1. Ezra Pound and the Visual Culture of Modernism (review)
  2. Ronald Bush
  3. pp. 573-574
  4. DOI: 10.1353/mod.0.0008
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  1. Never Say I: Sexuality and the First Person in Colette, Gide, and Proust (review)
  2. Katherine Elkins
  3. pp. 575-576
  4. DOI: 10.1353/mod.0.0013
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  1. Americanizing the Movies and “Movie-Mad” Audiences, 1910–1914 (review)
  2. Maria DiBattista
  3. pp. 576-578
  4. DOI: 10.1353/mod.0.0012
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  1. Dudley Murphy: Hollywood Wild Card (review)
  2. Peter Decherney
  3. pp. 578-580
  4. DOI: 10.1353/mod.0.0011
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  1. Red Velvet Seat: Women’s Writing on the First Fifty Years of Cinema (review)
  2. Amy Sargeant
  3. pp. 580-581
  4. DOI: 10.1353/mod.0.0016
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  1. Sensational Modernism: Experimental Fiction and Photography in Thirties America (review)
  2. Michael North
  3. pp. 582-583
  4. DOI: 10.1353/mod.0.0015
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  1. Beyond Grief and Nothing: A Reading of Don DeLillo (review)
  2. Joseph Conte
  3. pp. 585-587
  4. DOI: 10.1353/mod.0.0009
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  1. Beyond the Soundtrack: Representing Music in Cinema (review)
  2. James Wierzbicki
  3. pp. 587-589
  4. DOI: 10.1353/mod.0.0019
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  1. Spione (Spies) (review)
  2. Peter Jelavich
  3. pp. 591-594
  4. DOI: 10.1353/mod.0.0021
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  1. Borderline, and: Paul Robeson: Portraits of the Artist (review)
  2. James Donald
  3. pp. 594-598
  4. DOI: 10.1353/mod.0.0020
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  1. Recent Books of Interest
  2. pp. 599-602
  3. DOI: 10.1353/mod.0.0022
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  1. Recent DVDs of Interest
  2. p. 603
  3. DOI: 10.1353/mod.0.0023
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  1. Editor’s Introduction: Beyond Baudelaire, Decadent Aestheticism and Modernity
  2. Cassandra Laity
  3. pp. 427-430
  4. DOI: 10.1353/mod.0.0000
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  1. The Poetry of Louise Glück: A Thematic Introduction (review)
  2. Reena Sastri
  3. pp. 583-585
  4. DOI: 10.1353/mod.0.0017
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