1. Editorial Comment
  2. Catherine A. Schuler
  3. pp. 1-3
  4. DOI: 10.1353/tj.0.0057
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  1. Usable Performance Feminism for Our Time: Reconsidering Betty Friedan
  2. Dorothy Chansky
  3. pp. 341-364
  4. DOI: 10.1353/tj.0.0078
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  1. Staging Shadows/Seeing Ghosts: Ambiguity, Theatre, Gender, and History in Griselda Gambaro’s La señora Macbeth
  2. Sharon Magnarelli
  3. pp. 365-382
  4. DOI: 10.1353/tj.0.0043
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  1. Gender, Consumption, and Ideological Ambiguity in David Garrick’s Production of The Orphan of China (1759)
  2. Hsin-yun Ou
  3. pp. 383-407
  4. DOI: 10.1353/tj.0.0073
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  1. Queering Tango: Glitches in the Hetero-National Matrix of a Liminal Cultural Production
  2. Sirena Pellarolo
  3. pp. 409-431
  4. DOI: 10.1353/tj.0.0064
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  1. Feminist Performance Criticism and the Popular: Reviewing Wendy Wasserstein
  2. Jill Dolan
  3. pp. 433-457
  4. DOI: 10.1353/tj.0.0059
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  1. Oh, The Humanity and other Exclamations (review)
  2. Dorothy Chansky
  3. pp. 459-460
  4. DOI: 10.1353/tj.0.0072
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  1. Spring Awakening (review)
  2. Mary Jo Lodge
  3. pp. 460-462
  4. DOI: 10.1353/tj.0.0046
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  1. Bahala Na (Let it Go) (review)
  2. Sun Hee Teresa Lee
  3. pp. 462-463
  4. DOI: 10.1353/tj.0.0079
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  1. Beckett Shorts (review)
  2. Jennifer Goodlander
  3. pp. 463-465
  4. DOI: 10.1353/tj.0.0049
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  1. Fragments (review)
  2. Jennifer D. Douglas
  3. pp. 465-467
  4. DOI: 10.1353/tj.0.0044
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  1. The Evildoers (review)
  2. Miriam Chirico
  3. pp. 467-469
  4. DOI: 10.1353/tj.0.0052
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  1. Black Watch (review)
  2. Bradley W. Griffin
  3. pp. 469-471
  4. DOI: 10.1353/tj.0.0048
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  1. The Breach: A Story About the Drowning of New Orleans (review)
  2. Katherine Jean Nigh
  3. pp. 471-473
  4. DOI: 10.1353/tj.0.0053
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  1. Illumination (review)
  2. Claire Canavan
  3. pp. 473-475
  4. DOI: 10.1353/tj.0.0060
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  1. Gravity (review)
  2. Ryan Rogers
  3. pp. 475-478
  4. DOI: 10.1353/tj.0.0041
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  1. Blahblahblahbang (A Pistol Fit in One Act) (review)
  2. Rich Brown
  3. pp. 478-479
  4. DOI: 10.1353/tj.0.0062
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  1. Carmen (review)
  2. Sophie Mayer
  3. pp. 480-482
  4. DOI: 10.1353/tj.0.0051
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  1. Edward II (review)
  2. Rachel Evans
  3. pp. 482-484
  4. DOI: 10.1353/tj.0.0066
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  1. The Glorious Moment: The Histories (review)
  2. Laura Grace Godwin
  3. pp. 484-489
  4. DOI: 10.1353/tj.0.0040
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  1. A Disappearing Number (review)
  2. Robin Stone
  3. pp. 489-491
  4. DOI: 10.1353/tj.0.0075
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  1. Smash: An Adaptation of George Bernard Shaw’s Novel An Unsocial Socialist (review)
  2. Gavin Hawk
  3. pp. 491-493
  4. DOI: 10.1353/tj.0.0063
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  1. Fantasies of Empire: The Empire Theatre of Varieties and the Licensing Controversy of 1894 (review)
  2. Jim Davis
  3. pp. 495-496
  4. DOI: 10.1353/tj.0.0055
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  1. Theatre Censorship in Honecker’s Germany: From Volker Braun to Samuel Beckett (review)
  2. Laura Bradley
  3. pp. 496-497
  4. DOI: 10.1353/tj.0.0042
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  1. Brecht and Political Theatre: The Mother on Stage (review)
  2. Timothy J. Schaffer
  3. pp. 498-499
  4. DOI: 10.1353/tj.0.0076
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  1. Performing Spanishness: History, Cultural Identity and Censorship in the Theatre of José María Rodríguez Méndez (review)
  2. Maria M. Delgado
  3. pp. 499-500
  4. DOI: 10.1353/tj.0.0054
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  1. Dissident Syria: Making Oppositional Arts Official (review)
  2. Edward Ziter
  3. pp. 500-501
  4. DOI: 10.1353/tj.0.0045
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  1. Art and Politics: Psychoanalysis, Ideology, Theatre (review)
  2. David Pellegrini
  3. pp. 501-503
  4. DOI: 10.1353/tj.0.0070
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  1. Stages of Emergency: Cold War Nuclear Civil Defense (review)
  2. Bruce McConachie
  3. pp. 503-504
  4. DOI: 10.1353/tj.0.0056
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  1. Theatric Revolution: Drama, Censorship, and Romantic Period Subcultures 1773–1832 (review)
  2. Dana Van Kooy
  3. pp. 504-505
  4. DOI: 10.1353/tj.0.0050
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  1. Racism on the Victorian Stage: Representation of Slavery and the Black Character (review)
  2. Harvey Young
  3. pp. 506-507
  4. DOI: 10.1353/tj.0.0047
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  1. Ira Aldridge: The African Roscius (review)
  2. Baron Kelly
  3. pp. 507-508
  4. DOI: 10.1353/tj.0.0069
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  1. The Cult of Kean (review)
  2. Tamara Smith
  3. pp. 508-509
  4. DOI: 10.1353/tj.0.0068
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  1. It (review)
  2. Laurence Senelick
  3. pp. 509-510
  4. DOI: 10.1353/tj.0.0061
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  1. Inexorable Modernity: Japan’s Grappling with Modernity in the Arts (review)
  2. Carol Fisher Sorgenfrei
  3. pp. 510-511
  4. DOI: 10.1353/tj.0.0071
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  1. Pacific Performances: Theatricality and Cross-Cultural Encounter in the South Seas (review)
  2. Sharon Mazer
  3. pp. 512-513
  4. DOI: 10.1353/tj.0.0067
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  1. A Common Stage: Theater and Public Life in Medieval Arras (review)
  2. Jill Stevenson
  3. pp. 513-514
  4. DOI: 10.1353/tj.0.0065
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  1. Rethinking Tragedy (review)
  2. David Krasner
  3. pp. 514-515
  4. DOI: 10.1353/tj.0.0058
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  1. Found in Translation: Greek Drama in English (review)
  2. Katrina Bondari
  3. pp. 515-516
  4. DOI: 10.1353/tj.0.0077
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  1. Books Received
  2. pp. 517-524
  3. DOI: 10.1353/tj.0.0074
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