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  Volume 60, Number 3, October 2008

Table of Contents

Editorial Comment

pp. 1-3
|

Usable Performance Feminism for Our Time: Reconsidering Betty Friedan

pp. 341-364
|

Staging Shadows/Seeing Ghosts: Ambiguity, Theatre, Gender, and History in Griselda Gambaro’s La señora Macbeth

pp. 365-382
|

Gender, Consumption, and Ideological Ambiguity in David Garrick’s Production of The Orphan of China (1759)

pp. 383-407
|

Queering Tango: Glitches in the Hetero-National Matrix of a Liminal Cultural Production

pp. 409-431
|

Feminist Performance Criticism and the Popular: Reviewing Wendy Wasserstein

pp. 433-457
|

Performance Review

Oh, The Humanity and other Exclamations (review)

pp. 459-460
|

Spring Awakening (review)

pp. 460-462
|

Bahala Na (Let it Go) (review)

pp. 462-463
|

Beckett Shorts (review)

pp. 463-465
|

Fragments (review)

pp. 465-467
|

The Evildoers (review)

pp. 467-469
|

Black Watch (review)

pp. 469-471
|

The Breach: A Story About the Drowning of New Orleans (review)

pp. 471-473
|

Illumination (review)

pp. 473-475
|

Gravity (review)

pp. 475-478
|

Blahblahblahbang (A Pistol Fit in One Act) (review)

pp. 478-479
|

Carmen (review)

pp. 480-482
|

Edward II (review)

pp. 482-484
|

The Glorious Moment: The Histories (review)

pp. 484-489
|

A Disappearing Number (review)

pp. 489-491
|

Smash: An Adaptation of George Bernard Shaw’s Novel An Unsocial Socialist (review)

pp. 491-493
|

Book Review

Fantasies of Empire: The Empire Theatre of Varieties and the Licensing Controversy of 1894 (review)

pp. 495-496
|

Theatre Censorship in Honecker’s Germany: From Volker Braun to Samuel Beckett (review)

pp. 496-497
|

Brecht and Political Theatre: The Mother on Stage (review)

pp. 498-499
|

Performing Spanishness: History, Cultural Identity and Censorship in the Theatre of José María Rodríguez Méndez (review)

pp. 499-500
|

Dissident Syria: Making Oppositional Arts Official (review)

pp. 500-501
|

Art and Politics: Psychoanalysis, Ideology, Theatre (review)

pp. 501-503
|

Stages of Emergency: Cold War Nuclear Civil Defense (review)

pp. 503-504
|

Theatric Revolution: Drama, Censorship, and Romantic Period Subcultures 1773–1832 (review)

pp. 504-505
|

Racism on the Victorian Stage: Representation of Slavery and the Black Character (review)

pp. 506-507
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Ira Aldridge: The African Roscius (review)

pp. 507-508
|

The Cult of Kean (review)

pp. 508-509
|

It (review)

pp. 509-510
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Inexorable Modernity: Japan’s Grappling with Modernity in the Arts (review)

pp. 510-511
|

Pacific Performances: Theatricality and Cross-Cultural Encounter in the South Seas (review)

pp. 512-513
|

A Common Stage: Theater and Public Life in Medieval Arras (review)

pp. 513-514
|

Rethinking Tragedy (review)

pp. 514-515
|

Found in Translation: Greek Drama in English (review)

pp. 515-516
|

Books Received

Books Received

pp. 517-524
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Research Areas

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