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  Volume 51, Number 2, Summer 2008

Table of Contents

Glocalized Theatrum Mundi: The Case of Comédie des comédiens

pp. 165-187
|

Cries of Fire: Psychotherapy in Contemporary British and Irish Drama

pp. 188-210
|

Bringing out the Acid: Noël Coward, Harold Pinter, Ivy Compton-Burnett and the Uses of Camp

pp. 211-233
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Narratives of Success, Narratives of Failure: The Creation and Collapse of Sistren's "Aesthetic Space"

pp. 234-258
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"How Will They Ever Heal . . .?" Bearing Witness to Abuse and the Importance of Female Community in Sarah Daniels's Beside Herself, Head-Rot Holiday, and The Madness of Esme and Shaz

pp. 259-273
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French Tragic Farce in an Age of Interpellation: Michel Azama's Croisades and Hervé Blutsch's Anatole Felde

pp. 274-288
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Reviews

Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell, and: Susan Glaspell and the Anxiety of Expression: Language and Isolation in the Plays (review)

pp. 289-293
|

Performing Science and the Virtual (review)

pp. 293-295
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Ritual and Event: Interdisciplinary Perspectives (review)

pp. 295-298
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Electric Salome: Loie Fuller's Performance of Modernism (review)

pp. 298-300
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Bernard Shaw: A Life (review)

pp. 300-302
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A Companion to Modern British and Irish Drama 1880-2005 (review)

pp. 303-305
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Seán O'Casey: Writer at Work. A Biography (review)

pp. 305-307
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Contributors

Contributors

pp. 308-309
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Research Areas

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