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  Volume 51, Number 2, Summer 2008

Table of Contents

Glocalized Theatrum Mundi: The Case of Comédie des comédiens

pp. 165-187

Cries of Fire: Psychotherapy in Contemporary British and Irish Drama

pp. 188-210

Bringing out the Acid: Noël Coward, Harold Pinter, Ivy Compton-Burnett and the Uses of Camp

pp. 211-233

Narratives of Success, Narratives of Failure: The Creation and Collapse of Sistren's "Aesthetic Space"

pp. 234-258

"How Will They Ever Heal . . .?" Bearing Witness to Abuse and the Importance of Female Community in Sarah Daniels's Beside Herself, Head-Rot Holiday, and The Madness of Esme and Shaz

pp. 259-273

French Tragic Farce in an Age of Interpellation: Michel Azama's Croisades and Hervé Blutsch's Anatole Felde

pp. 274-288


Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell, and: Susan Glaspell and the Anxiety of Expression: Language and Isolation in the Plays (review)

pp. 289-293

Performing Science and the Virtual (review)

pp. 293-295

Ritual and Event: Interdisciplinary Perspectives (review)

pp. 295-298

Electric Salome: Loie Fuller's Performance of Modernism (review)

pp. 298-300

Bernard Shaw: A Life (review)

pp. 300-302

A Companion to Modern British and Irish Drama 1880-2005 (review)

pp. 303-305

Seán O'Casey: Writer at Work. A Biography (review)

pp. 305-307



pp. 308-309

Research Areas


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