1. Three Dollars in National Currency: A One-Act Comedy by Ding Xilin
  2. Christopher G. Rea
  3. pp. 173-192
  4. DOI: 10.1353/atj.0.0007
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  1. America's Kabuki-Japan, 1952–1960: Image Building, Myth Making, and Cultural Exchange
  2. Barbara E. Thornbury
  3. pp. 193-230
  4. DOI: 10.1353/atj.0.0018
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  1. Fire in the Banana's Belly: Bali's Female Performers Essay the Masculine Arts
  2. Catherine Diamond
  3. pp. 231-271
  4. DOI: 10.1353/atj.0.0002
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  1. "A Mixed-Blooded Child, Neither Western Nor Eastern": Sinicization of Western-Style Theatre in Rural China in the 1930s
  2. Siyuan Liu
  3. pp. 272-297
  4. DOI: 10.1353/atj.0.0004
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  1. The Transfiguration of Indian/Asian Dance in the United Kingdom: Contemporary Bharatanatyam in Global Contexts
  2. Avanthi Meduri
  3. pp. 298-328
  4. DOI: 10.1353/atj.0.0017
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  1. Tradition and Transformation in the Pelegongan Dance Repertoire
  2. Azti Nezia Suriyanti Azmi
  3. pp. 329-343
  4. DOI: 10.1353/atj.0.0006
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  1. Mock Courts and the Pakistani Bhānḍ
  2. Claire Pamment
  3. pp. 344-362
  4. DOI: 10.1353/atj.0.0009
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  1. Yuanyang Zhong (Mandarin Duck Tomb) (review)
  2. Megan Evans
  3. pp. 363-370
  4. DOI: 10.1353/atj.0.0016
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  1. A Dialogue Between Sichuan and Beijing Opera (review)
  2. Jeffrey Scott
  3. pp. 370-373
  4. DOI: 10.1353/atj.0.0010
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  1. Odalan Bali (review)
  2. Kathy Foley
  3. pp. 373-380
  4. DOI: 10.1353/atj.0.0014
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  1. Four Contemporary Korean Plays (review)
  2. Chan E. Park
  3. pp. 381-384
  4. DOI: 10.1353/atj.0.0003
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  1. Chinese Women Writers and the Feminist Imagination, 1905-1948 (review)
  2. Amy Dooling
  3. pp. 384-387
  4. DOI: 10.1353/atj.0.0015
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  1. Operatic China: Staging Chinese Identity Across the Pacific (review)
  2. Ashley Thorpe
  3. pp. 387-390
  4. DOI: 10.1353/atj.0.0005
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  1. Three Kingdoms and Chinese Culture (review)
  2. Siyuan Liu
  3. pp. 390-392
  4. DOI: 10.1353/atj.0.0013
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  1. Savage Stage: Plays by Ma-Yi Theatre Company (review)
  2. Kathy Foley
  3. pp. 395-397
  4. DOI: 10.1353/atj.0.0012
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  1. Dancing from the Past to the Present: Nation, Culture, Identities (review)
  2. Kathy Foley
  3. pp. 397-398
  4. DOI: 10.1353/atj.0.0011
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  1. The Traditional Theatre of Japan: Kyōgen, Noh, Kabuki, and Puppetry (review)
  2. Samuel L. Leiter
  3. pp. 398-400
  4. DOI: 10.1353/atj.0.0008
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  1. Editor's Note
  2. Kathy Foley
  3. p. iii
  4. DOI: 10.1353/atj.0.0000
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  1. Color Insert
  2. pp. Color Insert 1-Color Insert 6
  3. DOI: 10.1353/atj.2008.0016
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