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  Volume 25, Number 2, Fall 2008

Table of Contents

From: Asian Theatre Journal

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Editor's Note

Editor's Note

p. iii
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Play

Three Dollars in National Currency: A One-Act Comedy by Ding Xilin

pp. 173-192
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Articles

America's Kabuki-Japan, 1952–1960: Image Building, Myth Making, and Cultural Exchange

pp. 193-230
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Fire in the Banana's Belly: Bali's Female Performers Essay the Masculine Arts

pp. 231-271
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"A Mixed-Blooded Child, Neither Western Nor Eastern": Sinicization of Western-Style Theatre in Rural China in the 1930s

pp. 272-297
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The Transfiguration of Indian/Asian Dance in the United Kingdom: Contemporary Bharatanatyam in Global Contexts

pp. 298-328
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Tradition and Transformation in the Pelegongan Dance Repertoire

pp. 329-343
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Mock Courts and the Pakistani Bhānḍ

pp. 344-362
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Performance Reviews

Yuanyang Zhong (Mandarin Duck Tomb) (review)

pp. 363-370
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A Dialogue Between Sichuan and Beijing Opera (review)

pp. 370-373
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Odalan Bali (review)

pp. 373-380
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Book Reviews

Four Contemporary Korean Plays (review)

pp. 381-384
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Chinese Women Writers and the Feminist Imagination, 1905-1948 (review)

pp. 384-387
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Operatic China: Staging Chinese Identity Across the Pacific (review)

pp. 387-390
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Three Kingdoms and Chinese Culture (review)

pp. 390-392
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Interlogue: Studies in Singapore Literature, Vol. 6: Haresh Sharma: The Cultural Politics of Playwriting in Contemporary Singapore (review)

pp. 392-395
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Savage Stage: Plays by Ma-Yi Theatre Company (review)

pp. 395-397
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Dancing from the Past to the Present: Nation, Culture, Identities (review)

pp. 397-398
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The Traditional Theatre of Japan: Kyōgen, Noh, Kabuki, and Puppetry (review)

pp. 398-400
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Color Plates

Color Insert

pp. Color Insert 1-Color Insert 6
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