restricted access   Volume 7, Number 1, January 2000

Table of Contents

From: Modernism/modernity

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Recent Books of Interest

pp. 199-200
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Erratum

p. ii
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Articles

National Objects: Keynesian Economics and Modernist Culture in England

pp. 1-24
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Breaking Habits, Building Communities: Virginia Woolf and the Neuroscientific Body

pp. 25-41
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Tragic Time: The Problem of the Future in Cambridge Philosophy and To the Lighthouse

pp. 43-75
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Readers with Bodies: Modernist Criticism's Bridge Across the Cultural Divide

pp. 77-97
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Hart Crane's Victrola

pp. 99-125
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Review Essays

Can Modernism Have a Future?

pp. 127-143
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Solid Criticism

pp. 145-151
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Marcel Duchamp and the Antinomies of Art Historical and Art Critical Discourse

pp. 153-163
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Book Reviews

Cleanth Brooks and Robert Penn Warren: A Literary Correspondence, and: Cleanth Brooks and Allen Tate: Collected Letters, 1933-1976 (review)

pp. 165-168
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Conversations with William Faulkner, and: Natural Aristocracy: History, Ideology, and the Production of William Faulkner (review)

pp. 168-171
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Late Modernism: Politics, Fiction, and the Arts between the World Wars (review)

pp. 172-173
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Modernism, History and the First World War (review)

pp. 173-176
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Paris 1937: Worlds on Exhibition (review)

pp. 176-177
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The Suburb of Dissent: Cultural Politics in the United States and Canada during the 1930s (review)

pp. 178-179
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Consumption and Depression in Gertrude Stein, Louis Zukofsky, and Ezra Pound, and: Louis Zukofsky and the Poetry of Knowledge (review)

pp. 179-182
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Outside the Fold: Conversion, Modernity, and Belief (review)

pp. 183-184
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Streams of Cultural Capital: Transnational Cultural Studies (review)

pp. 184-187
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The Other Henry James, and: One of Us: The Mastery of Joseph Conrad (review)

pp. 187-190
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The Poetics of Transition: Emerson, Pragmatism, and American Literary Modernism (review)

pp. 190-192
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Play it Again, Sam: Retakes on Remakes (review)

pp. 192-194
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The Drive-In, the Supermarket, and the Transformation of Commercial Space in Los Angeles, 1914-1941 (review)

pp. 194-196
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Close Up 1927-33: Cinema and Modernism (review)

pp. 197-198
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