1. National Objects: Keynesian Economics and Modernist Culture in England
  2. Joshua Esty
  3. pp. 1-24
  4. DOI: 10.1353/mod.2000.0008
  5. restricted access View |
  1. Breaking Habits, Building Communities: Virginia Woolf and the Neuroscientific Body
  2. Craig Gordon
  3. pp. 25-41
  4. DOI: 10.1353/mod.2000.0010
  5. restricted access View |
  1. Tragic Time: The Problem of the Future in Cambridge Philosophy and To the Lighthouse
  2. Ann Banfield
  3. pp. 43-75
  4. DOI: 10.1353/mod.2000.0003
  5. restricted access View |
  1. Readers with Bodies: Modernist Criticism's Bridge Across the Cultural Divide
  2. Allison Pease
  3. pp. 77-97
  4. DOI: 10.1353/mod.2000.0019
  5. restricted access View |
  1. Hart Crane's Victrola
  2. Brian Reed
  3. pp. 99-125
  4. DOI: 10.1353/mod.2000.0020
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  1. Can Modernism Have a Future?
  2. Charles Altieri
  3. pp. 127-143
  4. DOI: 10.1353/mod.2000.0001
  5. restricted access View |
  1. Solid Criticism
  2. Jessica Burstein
  3. pp. 145-151
  4. DOI: 10.1353/mod.2000.0005
  5. restricted access View |
  1. Marcel Duchamp and the Antinomies of Art Historical and Art Critical Discourse
  2. Michael Mackenzie
  3. pp. 153-163
  4. DOI: 10.1353/mod.2000.0015
  5. restricted access View |
  1. Late Modernism: Politics, Fiction, and the Arts between the World Wars (review)
  2. Joshua Esty
  3. pp. 172-173
  4. DOI: 10.1353/mod.2000.0009
  5. restricted access View |
  1. Modernism, History and the First World War (review)
  2. Vincent B. Sherry
  3. pp. 173-176
  4. DOI: 10.1353/mod.2000.0022
  5. restricted access View |
  1. Paris 1937: Worlds on Exhibition (review)
  2. Adam Jolles
  3. pp. 176-177
  4. DOI: 10.1353/mod.2000.0013
  5. restricted access View |
  1. The Suburb of Dissent: Cultural Politics in the United States and Canada during the 1930s (review)
  2. Andrew Hoberek
  3. pp. 178-179
  4. DOI: 10.1353/mod.2000.0012
  5. restricted access View |
  1. Consumption and Depression in Gertrude Stein, Louis Zukofsky, and Ezra Pound, and: Louis Zukofsky and the Poetry of Knowledge (review)
  2. Ranen Omer
  3. pp. 179-182
  4. DOI: 10.1353/mod.2000.0018
  5. restricted access View |
  1. Outside the Fold: Conversion, Modernity, and Belief (review)
  2. Samuel Baker
  3. pp. 183-184
  4. DOI: 10.1353/mod.2000.0002
  5. restricted access View |
  1. Streams of Cultural Capital: Transnational Cultural Studies (review)
  2. Curtis Marez
  3. pp. 184-187
  4. DOI: 10.1353/mod.2000.0016
  5. restricted access View |
  1. The Other Henry James, and: One of Us: The Mastery of Joseph Conrad (review)
  2. Robert L. Caserio
  3. pp. 187-190
  4. DOI: 10.1353/mod.2000.0006
  5. restricted access View |
  1. The Poetics of Transition: Emerson, Pragmatism, and American Literary Modernism (review)
  2. Mark Schoening
  3. pp. 190-192
  4. DOI: 10.1353/mod.2000.0021
  5. restricted access View |
  1. Play it Again, Sam: Retakes on Remakes (review)
  2. Lesley Stern
  3. pp. 192-194
  4. DOI: 10.1353/mod.2000.0023
  5. restricted access View |
  1. The Drive-In, the Supermarket, and the Transformation of Commercial Space in Los Angeles, 1914-1941 (review)
  2. Mary Morley Cohen
  3. pp. 194-196
  4. DOI: 10.1353/mod.2000.0007
  5. restricted access View |
  1. Close Up 1927-33: Cinema and Modernism (review)
  2. Richard Maxwell
  3. pp. 197-198
  4. DOI: 10.1353/mod.2000.0017
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  1. Recent Books of Interest
  2. pp. 199-200
  3. DOI: 10.1353/mod.2000.0004
  4. restricted access View |
  1. Erratum
  2. p. ii
  3. DOI: 10.1353/mod.2000.0024
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