1. Performing Race and Place in Asian America: Korean American Adoptees, Musical Theatre, and the Land of 10,000 Lakes
  2. Lei Ouyang Bryant
  3. pp. 4-30
  4. DOI: 10.1353/amu.0.0015
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  1. Lou Harrison’s Music for Western Instruments and Gamelan: Even More Western than It Sounds
  2. Henry Spiller
  3. pp. 31-52
  4. DOI: 10.1353/amu.0.0018
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  1. Popular Hindi Film Song Sequences Set in the Indian Diaspora and the Negotiating of Indian Identity
  2. Nilanjana Bhattacharjya
  3. pp. 53-82
  4. DOI: 10.1353/amu.0.0012
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  1. The Voicing of the Voiceless in Tan Dun’s The Map: Horizon of Expectation and the Rhetoric of National Style
  2. Samson Young
  3. pp. 83-99
  4. DOI: 10.1353/amu.0.0021
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  1. Asian Masculinities and Parodic Possibility in Odaiko Solos and Filmic Representations
  2. Paul J. Yoon
  3. pp. 100-130
  4. DOI: 10.1353/amu.0.0022
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  1. Performing “Chineseness” on the Western Concert Stage: The Case of Lang Lang
  2. Eric Hung
  3. pp. 131-148
  4. DOI: 10.1353/amu.0.0019
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  1. Mahârâshtra: (Inde/India) Chants des Konkanî de Kochi/Songs of the Konkanî from Kochi (review)
  2. Micah Martin
  3. pp. 154-157
  4. DOI: 10.1353/amu.0.0017
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  1. Gamelan of Central Java II: Ceremonial Music, and: Gamelan of Central Java IV: Spiritual Music (review)
  2. Sarah Weiss
  3. pp. 157-161
  4. DOI: 10.1353/amu.0.0014
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  1. Introduction: Music and the Asian Diaspora
  2. Eric Hung
  3. pp. 1-3
  4. DOI: 10.1353/amu.0.0020
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  1. About the Contributors
  2. pp. 162-164
  3. DOI: 10.1353/amu.0.0013
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