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Browse Book and Journal Content on Project MUSE

Remaking the Past: Feminist Spirituality in Anonymous 4 and Sequentia's Vox Feminae

pp. 1-21 | DOI: 10.1353/wam.0.0007

Gender and Gender Redux: Rethinking Binaries and the Aesthetics of Old-Style Javanese Wayang

pp. 22-39 | DOI: 10.1353/wam.0.0010

Three Perspectives on Feminist Rock Criticism: In Memory of Ellen Willis

A Spy in the House of Love

pp. 40-43 | DOI: 10.1353/wam.0.0013

Calling Ellen Willis: Quarreling with the "Radicals," Loving Consumer Culture, and Hearing Women's Voices

pp. 44-53 | DOI: 10.1353/wam.0.0000

The Write to Rock: Racial Mythologies, Feminist Theory, and the Pleasures of Rock Music Criticism

pp. 54-62 | DOI: 10.1353/wam.0.0002

Theorizing Gender, Culture, and Music

The Sublime, the Ineffable, and Other Dangerous Aesthetics

pp. 63-74 | DOI: 10.1353/wam.0.0004

Garden Disputes: Postmodern Beauty and the Sublime Neighbor: A Response to Judy Lochhead's "The Sublime, the Ineffable, and Other Dangerous Aesthetics"

pp. 75-86 | DOI: 10.1353/wam.0.0006

Musicology after Identity—: Four Fragments

pp. 87-93 | DOI: 10.1353/wam.0.0009

Experience, Borders: "How, therefore, must we live?": A Response to James Robert Currie

pp. 94-95 | DOI: 10.1353/wam.0.0012


Black Women and Music: More than the Blues (review)

pp. 96-100 | DOI: 10.1353/wam.0.0015

Check It While I Wreck It: Black Womanhood, Hip-Hop Culture and the Public Sphere (review)

pp. 100-104 | DOI: 10.1353/wam.0.0001

A Boy Named Sue: Gender and Country Music (review)

pp. 104-110 | DOI: 10.1353/wam.0.0003

Sensational Knowledge: Embodying Culture through Japanese Dance (review)

pp. 110-113 | DOI: 10.1353/wam.0.0005

The Queer Composition of America's Sound: Gay Modernists, American Music, and National Identity (review)

pp. 113-117 | DOI: 10.1353/wam.0.0008

Melting the Venusberg: A Feminist Theology of Music (review)

pp. 117-122 | DOI: 10.1353/wam.0.0011



pp. 123-125 | DOI: 10.1353/wam.0.0014

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