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Table of Contents

  1. Editor's Preface: Remembering James Joyce
  2. Eugene Jolas, Rainer Rumold, Andreas Kramer
  3. p. 1
  4. DOI: https://doi.org/10.1353/mod.1998.0046
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  1. Remembering James Joyce
  2. Rainer Rumold, Eugene Jolas, Andreas Kramer
  3. pp. 2-29
  4. DOI: https://doi.org/10.1353/mod.1998.0042
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  1. Editor's Preface: Bloomsbury
  2. Mary Butts, Camilla Bagg, Nathalie Blondel
  3. pp. 31-32
  4. DOI: https://doi.org/10.1353/mod.1998.0047
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  1. Bloomsbury
  2. Mary Butts, Nathalie Blondel
  3. pp. 32-45
  4. DOI: https://doi.org/10.1353/mod.1998.0040
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  1. Modernism's Iconophobia and What it Did to Gender
  2. Nancy Armstrong
  3. pp. 47-75
  4. DOI: https://doi.org/10.1353/mod.1998.0028
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  1. The Concept of Force as Modernist Response to the Authority of Science
  2. Charles Altieri
  3. pp. 77-93
  4. DOI: https://doi.org/10.1353/mod.1998.0027
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  1. An Epic of Subjectivation: The Making of Americans
  2. Barrett Watten
  3. pp. 95-121
  4. DOI: https://doi.org/10.1353/mod.1998.0044
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  1. Taking Dictation: Collage Poetics, Pathology, and Politics
  2. Lawrence S. Rainey
  3. pp. 123-153
  4. DOI: https://doi.org/10.1353/mod.1998.0043
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Review Essay

  1. Selling modernism
  2. Mark S. Morrisson
  3. pp. 155-162
  4. DOI: https://doi.org/10.1353/mod.1998.0041
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Book Reviews

  1. Inventions of the March Hare: Poems, 1909-1917 (review)
  2. Alex Zwerdling
  3. pp. 163-165
  4. DOI: https://doi.org/10.1353/mod.1998.0033
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  1. The First Moderns: Profiles in the Origins of Twentieth-Century Thought (review)
  2. Michael T. Saler
  3. pp. 165-167
  4. DOI: https://doi.org/10.1353/mod.1998.0034
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  1. Musicage: Cage Muses on Words, Art, Music (review)
  2. Ming-Qian Ma
  3. pp. 167-169
  4. DOI: https://doi.org/10.1353/mod.1998.0036
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  1. E Pluribus Barnum: The Great Showman and the Making of U.S. Popular Culture (review)
  2. Paul Gilmore
  3. pp. 170-171
  4. DOI: https://doi.org/10.1353/mod.1998.0029
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  1. Nietzsche's Corps/e: Aesthetics, Politics, Prophecy, or, The Spectacular Technoculture of Everyday Life (review)
  2. Carl Pletsch, James A. Winders
  3. pp. 171-173
  4. DOI: https://doi.org/10.1353/mod.1998.0039
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  1. Film Essays and Criticism, and: The Mass Ornament: Weimar Essays (review)
  2. Jeffrey S. Timon
  3. pp. 173-177
  4. DOI: https://doi.org/10.1353/mod.1998.0030
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  1. The Third Eye: Race, Cinema, and Ethnographic Spectacle, and: Parallel Tracks: The Railroad and Silent Cinema (review)
  2. Jennifer Peterson
  3. pp. 177-181
  4. DOI: https://doi.org/10.1353/mod.1998.0037
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  1. Guilty Pleasures: Feminist Camp from Mae West to Madonna (review)
  2. Temby Caprio
  3. pp. 181-183
  4. DOI: https://doi.org/10.1353/mod.1998.0038
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  1. Through the Dark Labyrinth: A Biography of Lawrence Durrell (review)
  2. Donald P. Kaczvinsky
  3. pp. 183-184
  4. DOI: https://doi.org/10.1353/mod.1998.0031
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  1. Ernst Junger and Germany: Into the Abyss, 1914-1945 (review)
  2. Sarah Roff
  3. pp. 184-186
  4. DOI: https://doi.org/10.1353/mod.1998.0035
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  1. Self-Portrait in Words: Collected Writings and Statements, 1903-1950 (review)
  2. Michael Mackenzie
  3. pp. 186-188
  4. DOI: https://doi.org/10.1353/mod.1998.0032
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  1. Recent Books of Interest
  3. pp. 189-196
  4. DOI: https://doi.org/10.1353/mod.1998.0045
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