restricted access   Volume 1, Number 2, Autumn 2006

Table of Contents

From: Textual Cultures: Texts, Contexts, Interpretation

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A Question of Punctuation and “ear[s] for dissenting voices”: Introduction to Textual Cultures 1.2

pp. 1-5


A Statute Book and Lancastrian Mirror for Princes: The Yale Law School Manuscript of the Nova statuta Angliae

pp. 6-59

Now, Gods, Stand Up For Bastards: The 1603 “Good Quarto” Hamlet

pp. 60-89

Editing George Herbert’s Ejaculations

pp. 90-113

The Genealogy of Scribal Versions: A “Fourth Way” in Medieval Editorial Theory

pp. 114-136


Minima boccacciana sulla forma prima della Comedìa

pp. 137-142

Textual Identity and the Problem of Convention: Recovering the Title of Dresden Oc 66

pp. 143-151

Anglo American Reviews

T.S. Eliot and the Art of Collaboration (review)

pp. 152-154

Graphic Design, Print Culture, and the Eighteenth-Century Novel (review)

pp. 154-157

The Complete Works of Oscar Wilde, Volume 3; The Picture of Dorian Gray: The 1890 and 1891 Texts (review)

pp. 157-158

Codex and Context: Reading Old French Verse Narrative in Manuscript (review)

pp. 159-162

Genetic Criticism: Texts and Avant-textes (review)

pp. 162-168

Prints for Books: Book Illustration in France 1760–1800 (review)

pp. 168-169

Sources of the Boece (review)

pp. 170-171

American Literature and the Culture of Reprinting 1834–1853 (review)

pp. 172-174

The Political History of the Devil (review)

pp. 175-177

The Future of the Page (review)

pp. 177-179

Tao Yuanming & Manuscript Culture: The Record of a Dusty Table (review)

pp. 179-182

Continental and Mediterranean Reviews

Avant-propos. Miroir de la philologie: voix du débat européen (II)

pp. 183-184

Critica testuale, filologia materiale, ecdotica dei canzonieri

pp. 184-186

Modalità compositive e processi di trasmissione nelle scritture narrative del Medioevo francese

pp. 187-207

Notes on Contributors

Notes on Contributors

pp. 211-212

The Society for Textual Scholarship

pp. 213-215