1. The Human Touch Software of the Highest Order: Revisiting Editing as Interpretation
  2. Martha Nell Smith
  3. pp. 1-15
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  1. Witness and Access: The Uses of the Fluid Text
  2. John Bryant
  3. pp. 16-42
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  1. When a Consumer Becomes an Editor: Susan Hayes Ward and the Poetry of The Independent
  2. Ingrid Satelmajer
  3. pp. 78-100
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  1. The Diary May Be from Dixie But the Editor Is Not: Mary Chestnut and Southern Print History
  2. Augusta Rohrbach
  3. pp. 101-118
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  1. How Not to Edit: The Case of Marianne Moore
  2. Robin G. Schulze
  3. pp. 119-135
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  1. The Salient Angle: Revising the Queer Case of Henry Blake Fuller's Bertram Cope's Year
  2. Joseph Dimuro
  3. pp. 136-154
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  1. The Old French Ballette. Oxford, Bodleian Library, Ms Douce 308 (review)
  2. Christopher Callahan
  3. pp. 155-157
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  1. Robbery Under Arms (review)
  2. Peter Pierce
  3. pp. 157-159
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  1. Inventing Polemic: Religion, Print, and Literary Culture in Early Modern England (review)
  2. Robert B. Hamm Jr.
  3. pp. 159-161
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  1. Black Writers, White Publishers: Marketplace Politics in Twentieth-Century African American Literature (review)
  2. Winston Napier
  3. pp. 162-166
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  1. The Society for Textual Scholarship
  2. pp. 170-172
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  1. Preface
  2. p. v
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  1. Notes on Contributors
  2. pp. 167-169
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