1. Editorial Acknowlegdements
  2. Jessica Burstein
  3. p. 1
  4. DOI: 10.1353/mod.1997.0027
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  1. Prosthetic Gods
  2. Hal Foster
  3. pp. 5-38
  4. DOI: 10.1353/mod.1997.0030
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  1. "Surrounded by a Multitude of Other Blasts": Vorticism and the Great War
  2. Paul Peppis
  3. pp. 39-66
  4. DOI: 10.1353/mod.1997.0036
  5. restricted access View |
  1. The Popular Culture of Kermesse: Lewis, Painting, and Performance 1912-13
  2. Lisa Tickner
  3. pp. 67-120
  4. DOI: 10.1353/mod.1997.0039
  5. restricted access View |
  1. An Anatomy of Folly: Wyndham Lewis, the Body Politic, and Comedy
  2. Vincent B. Sherry
  3. pp. 121-138
  4. DOI: 10.1353/mod.1997.0038
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  1. Waspish Segments: Lewis, Prosthesis, Fascism
  2. Jessica Burstein
  3. pp. 139-164
  4. DOI: 10.1353/mod.1997.0028
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  1. The Anonymity of Perfection
  2. Wyndham Lewis, Paul Edwards
  3. pp. 165-169
  4. DOI: 10.1353/mod.1997.0032
  5. restricted access View |
  1. The Machine
  2. Wyndham Lewis, Paul Edwards
  3. pp. 171-174
  4. DOI: 10.1353/mod.1997.0033
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  1. Berlin Revisited
  2. Wyndham Lewis, Paul Edwards
  3. pp. 175-180
  4. DOI: 10.1353/mod.1997.0034
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  1. Wyndham Lewis: A Memoir Without Benefit of Diaries
  2. Omar S. Pound
  3. pp. 189-194
  4. DOI: 10.1353/mod.1997.0015
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  1. A Last Sight of Lewis
  2. Hugh Kenner
  3. pp. 195-196
  4. DOI: 10.1353/mod.1997.0031
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  1. Futurism today
  2. Laura Wittman
  3. pp. 197-203
  4. DOI: 10.1353/mod.1997.0016
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  1. Jews, Germans, Memory: Reconstructions of Jewish Life in Germany (review)
  2. Peter Gay
  3. pp. 205-208
  4. DOI: 10.1353/mod.1997.0017
  5. restricted access View |
  1. People of the Book: Thirty Scholars Reflect on Their Jewish Identity (review)
  2. Maeera Shreiber
  3. pp. 208-209
  4. DOI: 10.1353/mod.1997.0023
  5. restricted access View |
  1. High Art: Charles Baudelaire and the Origins of Modernist Painting (review)
  2. Paul Smith
  3. pp. 209-211
  4. DOI: 10.1353/mod.1997.0019
  5. restricted access View |
  1. Time and Sense: Proust and the Experience of Literature (review)
  2. William C. Carter
  3. pp. 211-213
  4. DOI: 10.1353/mod.1997.0022
  5. restricted access View |
  1. Free Rein (La Cle des Champs) (review)
  2. Katharine Conley
  3. pp. 213-215
  4. DOI: 10.1353/mod.1997.0018
  5. restricted access View |
  1. The Soviet Photograph 1924-1937 (review)
  2. Romy Golan
  3. pp. 215-217
  4. DOI: 10.1353/mod.1997.0026
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  1. Modernism's Body: Sex, Culture, and Joyce (review)
  2. Bonnie Kime Scott
  3. pp. 218-220
  4. DOI: 10.1353/mod.1997.0021
  5. restricted access View |
  1. Ford Madox Ford: A Dual Life (review)
  2. Jesse Matz
  3. pp. 220-222
  4. DOI: 10.1353/mod.1997.0024
  5. restricted access View |
  1. The Making of Americans (review)
  2. Lawrence S. Rainey
  3. pp. 222-224
  4. DOI: 10.1353/mod.1997.0025
  5. restricted access View |
  1. Volcanic Heaven: Essays on Wyndham Lewis's Painting and Writing (review)
  2. Hugh Kenner
  3. pp. 224-225
  4. DOI: 10.1353/mod.1997.0020
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  1. Recent Books of Interest
  2. pp. 227-234
  3. DOI: 10.1353/mod.1997.0037
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  1. Wyndham Lewis Chronology
  2. DOI: 10.1353/mod.1997.0040
  3. restricted access View |
  1. Wyndham Lewis Chronology
  2. Wyndham Lewis
  3. p. 3
  4. DOI: 10.1353/mod.1997.0029
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