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Table of Contents

  1. Unsettling America: German Westerns and Modernity
  2. Lutz P. Koepnick
  3. pp. 1-22
  4. DOI: https://doi.org/10.1353/mod.1995.0056
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  1. Emotional Engineering: Hitler Youth Quex
  2. Eric Rentschler
  3. pp. 23-44
  4. DOI: https://doi.org/10.1353/mod.1995.0059
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  1. Did Himmler Really Like Gregorian Chant? The SS and Musicological Research
  2. Pamela Maxine Potter
  3. pp. 45-68
  4. DOI: https://doi.org/10.1353/mod.1995.0057
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  1. Modernism, Fascism, and the Composition of Ezra Pound's Pisan Cantos
  2. Ronald Bush
  3. pp. 69-87
  4. DOI: https://doi.org/10.1353/mod.1995.0053
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  1. Speaking Volumes: Giorgio Morandi's Still Lifes and the Cultural Politics of Strapaese
  2. Emily Braun
  3. pp. 89-116
  4. DOI: https://doi.org/10.1353/mod.1995.0050
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  1. Between Fascism and Democracy: Gaetano Ciocca -- Builder, Inventor, Farmer, Engineer
  2. Jeffrey T. Schnapp
  3. pp. 117-157
  4. DOI: https://doi.org/10.1353/mod.1995.0060
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  1. On Rothko
  2. Rosanna Warren
  3. pp. 159-163
  4. DOI: https://doi.org/10.1353/mod.1995.0055
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  1. On Eisenstein
  2. James Lastra
  3. pp. 163-167
  4. DOI: https://doi.org/10.1353/mod.1995.0054
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  1. Incorporations
  2. Peter Louis Galison, Caroline A. Jones
  3. pp. 167-169
  4. DOI: https://doi.org/10.1353/mod.1995.0041
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  1. Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture
  2. Alice Yaeger Kaplan
  3. pp. 169-171
  4. DOI: https://doi.org/10.1353/mod.1995.0047
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  1. On Edge: Performance at the End of the Century
  2. David Antin
  3. pp. 171-173
  4. DOI: https://doi.org/10.1353/mod.1995.0061
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  1. The Visible Word: Experimental Typography and Modern Art, 1909-1923
  2. Charles Bernstein
  3. pp. 173-175
  4. DOI: https://doi.org/10.1353/mod.1995.0042
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  1. The Trouble with Genius: Reading Pound, Joyce, Stein, and Zukofsky
  2. Steven Helmling
  3. pp. 175-177
  4. DOI: https://doi.org/10.1353/mod.1995.0046
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  1. A Cultural History of the American Novel: Henry James to William Faulkner
  2. Sam B. Girgus
  3. pp. 177-178
  4. DOI: https://doi.org/10.1353/mod.1995.0045
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  1. Shaw and Joyce: "The Last Word in Stolentelling"
  2. Lee Garver
  3. pp. 179-180
  4. DOI: https://doi.org/10.1353/mod.1995.0062
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  1. James Joyce and the Language of History: Dedalus's Nightmare
  2. Scott W. Klein
  3. pp. 180-182
  4. DOI: https://doi.org/10.1353/mod.1995.0049
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  1. The Subaltern Ulysses
  2. Michael Hart
  3. pp. 182-183
  4. DOI: https://doi.org/10.1353/mod.1995.0043
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  1. The Female Grotesque: Risk, Excess and Modernity
  2. Celia Marshik
  3. pp. 183-185
  4. DOI: https://doi.org/10.1353/mod.1995.0048
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  1. Anti-Semitism, Misogyny, and the Logic of Cultural Difference: Cesare Lombroso and Matilde Serao
  2. Mark S. Micale
  3. pp. 185-186
  4. DOI: https://doi.org/10.1353/mod.1995.0044
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  1. Gabriele D'Annunzio: The Dark Flame
  2. Rebecca West, Marilyn Migiel
  3. pp. 186-188
  4. DOI: https://doi.org/10.1353/mod.1995.0052
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  1. The Art of Memory: Holocaust Memorials in History
  2. Margaret Rose Olin
  3. pp. 188-190
  4. DOI: https://doi.org/10.1353/mod.1995.0051
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  1. Recent Books of Interest
  3. p. 1995
  4. DOI: https://doi.org/10.1353/mod.1995.0058
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