1. A Myth of the Twentieth Century: The Rite of Spring, the Tradition of the New, and "The Music Itself"
  2. Richard Taruskin
  3. pp. 1-26
  4. DOI: 10.1353/mod.1995.0008
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  1. Kurt Weill, Modernism, and Popular Culture: Offentlichkeit als Stil
  2. Kim H. Kowalke
  3. pp. 27-69
  4. DOI: 10.1353/mod.1995.0006
  5. restricted access View |
  1. Soul Texts and the Blackness of Folk
  2. Ronald Michael Radano
  3. pp. 71-95
  4. DOI: 10.1353/mod.1995.0011
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  1. Medieval versus Victorian versus Modern: Rossetti's Art of Images
  2. Jerome J. McGann
  3. pp. 97-112
  4. DOI: 10.1353/mod.1995.0007
  5. restricted access View |
  1. The "Medieval Modern" Underground: Terminus of the Avant-Garde
  2. Michael T. Saler
  3. pp. 113-144
  4. DOI: 10.1353/mod.1995.0010
  5. restricted access View |
  1. "Barbed-Wire Entanglements": The "New American Poetry," 1930-1932
  2. Marjorie Perloff
  3. pp. 145-175
  4. DOI: 10.1353/mod.1995.0009
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  1. Left and literary
  2. Harvey M. Teres
  3. pp. 177-184
  4. DOI: 10.1353/mod.1995.0004
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  1. New approaches to nationalism
  2. Paul Peppis
  3. pp. 184-190
  4. DOI: 10.1353/mod.1995.0005
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  1. A Passion For Wings: Aviation and the Western Imagination, 1908-1918
  2. Hugh Kenner
  3. pp. 190-192
  4. DOI: 10.1353/mod.1995.0003
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  1. Materialities of Communication
  2. Hugh Kenner
  3. pp. 192-193
  4. DOI: 10.1353/mod.1995.0014
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  1. The Optical Unconscious
  2. Terry Smith
  3. pp. 193-196
  4. DOI: 10.1353/mod.1995.0001
  5. restricted access View |
  1. Mikhail Larionov and the Russian Avant-Garde
  2. Peter Nisbet
  3. pp. 196-197
  4. DOI: 10.1353/mod.1995.0002
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  1. Avant-Garde Florence: From Modernism to Fascism
  2. Joseph Francese
  3. pp. 197-199
  4. DOI: 10.1353/mod.1995.0013
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  1. The Early Works of Arnold Schoenberg, 1893-1908 (review)
  2. Anne Chatoney Shreffler
  3. pp. 199-200
  4. DOI: 10.1353/mod.1995.0015
  5. restricted access View |
  1. Recent Books of Interest
  2. pp. 201-204
  3. DOI: 10.1353/mod.1995.0012
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