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In this Issue

Table of Contents

  1. William Strachey's "True Reportory" and Shakespeare: A Closer Look at the Evidence
  2. Alden T. Vaughan
  3. pp. 245-273
  4. DOI: https://doi.org/10.1353/shq.0.0017
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  1. Shakespeare and Impure Aesthetics: The Case of A Midsummer Night's Dream
  2. Hugh Grady
  3. pp. 274-302
  4. DOI: https://doi.org/10.1353/shq.0.0020
  5. restricted access
  1. Hamlet at Ground Zero: The Wooster Group and the Archive of Performance
  2. W. B. Worthen
  3. pp. 303-322
  4. DOI: https://doi.org/10.1353/shq.0.0023
  5. restricted access

Shakespeare Performed

  1. Two Hamlets: Wooster Group and Synetic Theater
  2. Sarah Werner
  3. pp. 323-329
  4. DOI: https://doi.org/10.1353/shq.0.0026
  5. restricted access

Book Reviews

  1. A New Variorum Edition of Shakespeare: "The Winter's Tale" (review)
  2. Deborah T. Curren-Aquino
  3. pp. 330-333
  4. DOI: https://doi.org/10.1353/shq.0.0029
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  1. Shakespeare and the Rise of the Editor (review)
  2. Paul Werstine
  3. pp. 334-335
  4. DOI: https://doi.org/10.1353/shq.0.0032
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  1. The Life and Times of William Shakespeare, 1564-1616 (review)
  2. Robert Bearman
  3. pp. 335-337
  4. DOI: https://doi.org/10.1353/shq.0.0016
  5. restricted access
  1. The Cambridge Companion to Shakespeare and Popular Culture (review)
  2. Denise A. Walen
  3. pp. 337-339
  4. DOI: https://doi.org/10.1353/shq.0.0019
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  1. Shakespeare's Late Style (review)
  2. Gordon McMullan
  3. pp. 340-343
  4. DOI: https://doi.org/10.1353/shq.0.0022
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  1. Looking for Hamlet (review)
  2. Frank Nicholas Clary
  3. pp. 343-345
  4. DOI: https://doi.org/10.1353/shq.0.0025
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  1. Thinking with Shakespeare: Comparative and Interdisciplinary Essays (review)
  2. Paul Cefalu
  3. pp. 345-348
  4. DOI: https://doi.org/10.1353/shq.0.0028
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  1. Cosmetics in Shakespearean and Renaissance Drama (review)
  2. Annette Drew-Bear
  3. pp. 348-351
  4. DOI: https://doi.org/10.1353/shq.0.0031
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  1. Collaborations with the Past: Reshaping Shakespeare across Time and Media (review)
  2. Sharon O'Dair
  3. pp. 351-354
  4. DOI: https://doi.org/10.1353/shq.0.0015
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  1. Colorblind Shakespeare: New Perspectives on Race and Performance (review)
  2. Ian Smith
  3. pp. 354-356
  4. DOI: https://doi.org/10.1353/shq.0.0018
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  1. The Artist as Original Genius: Shakespeare's "Fine Frenzy" in Late-Eighteenth-Century British Art (review)
  2. Stuart Sillars
  3. pp. 356-358
  4. DOI: https://doi.org/10.1353/shq.0.0021
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  1. The Whirligig of Time: Essays on Shakespeare and Czechoslovakia (review)
  2. Christa Jansohn
  3. pp. 359-360
  4. DOI: https://doi.org/10.1353/shq.0.0024
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  1. Acting from Shakespeare's First Folio: Theory, Text and Performance (review)
  2. Michael D. Friedman
  3. pp. 360-363
  4. DOI: https://doi.org/10.1353/shq.0.0027
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Contributors

  1. Contributors
  3. pp. 364-366
  4. DOI: https://doi.org/10.1353/shq.0.0030
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