1. "If a lion could talk . . .": Dickinson Translated
  2. Sandra M. Gilbert
  3. pp. 1-13
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  1. Emily Dickinson's Poetic Covenant
  2. Roland Hagenbüchle
  3. pp. 14-39
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  1. Emily Dickinson's Visible Language
  2. Jerome McGann
  3. pp. 40-57
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  1. Emily Dickinson's Books
  2. Dorothy Huff Oberhaus
  3. pp. 58-65
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  1. Disclosing Pictures: Emily Dickinson's Quotations from the Paintings of Thomas Cole, Frederic Church, and Holman Hunt
  2. Judith Farr
  3. pp. 66-77
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  1. Emily Dickinson and The Indicator: A Transcendental Frolic
  2. Barton Levi St. Armand
  3. pp. 78-96
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  1. Outlandish Powers: Dickinson's Capsizals of Genre and Tone
  2. Alice Fulton
  3. pp. 97-103
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  1. A Perspective on Reading Dickinson in Japan
  2. Yoko Shimazaki
  3. pp. 104-108
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  1. [Im]pertinent Constructions of Body and Self: Dickinson's Use of the Romantic Grotesque
  2. Cynthia Griffin Wolff
  3. pp. 109-123
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  1. Challenges Of Portraying Emily Dickinson in William Luce's Play "The Belle of Amherst."
  2. Maravene Loeschke
  3. pp. 124-129
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  1. Translation and the Emily Dickinson Lexicon
  2. Cynthia L. Hallen, Laura M. Harvey
  3. pp. 130-146
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  1. A Russian Translation/Imitation of Emily Dickinson: "After great pain, a formal feeling comes—"
  2. Dorothy Z. Baker
  3. pp. 147-152
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  1. "After great pain, a formal feeling comes—": The Problems of Translating Dickinson's "Poetry" into Contemporary Japanese "Verse"
  2. Masako Takeda
  3. pp. 153-159
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  1. Re-playing The Bible: My Emily Dickinson
  2. Alicia Ostriker
  3. pp. 160-171
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  1. Teaching Dickinson as a Gen(i)us: Emily Among the Women
  2. Cheryl Walker
  3. pp. 172-180
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  1. Post-Valentine's Day Sestina
  2. Ellen Davis
  3. pp. 181-182
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  1. From the Editor
  2. Suzanne Juhasz
  3. p. ix
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  1. Contributors
  2. pp. 183-186
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