1. A Symbolic Center in a Conceptual Country: A Gassian Rubric for The Sound and the Fury
  2. Paul M. Hedeen
  3. pp. 623-643
  4. DOI: 10.1353/mfs.0.1217
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  1. Edifying the Reader: Ionesco's "The Colonel's Photograph"
  2. Gemma M. Galli
  3. pp. 645-657
  4. DOI: 10.1353/mfs.0.1254
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  1. The Sadly Rejoycing Slave: Beckett, Joyce, and Destructive Parody
  2. Michael Valdez Moses
  3. pp. 659-674
  4. DOI: 10.1353/mfs.0.1291
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  1. Ends and Loose Ends: The Triptych Conclusion of Light in August
  2. Ronald Wesley Hoag
  3. pp. 675-690
  4. DOI: 10.1353/mfs.0.1328
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  1. Authority/Author-ity: Representation and Fictionality in Huckleberry Finn
  2. Joseph Sawicki
  3. pp. 691-702
  4. DOI: 10.1353/mfs.0.1131
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  1. Being in the Midst: Italo Calvino's If on a Winter's Night a Traveler
  2. Madeleine Sorapure
  3. pp. 702-710
  4. DOI: 10.1353/mfs.0.1167
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  1. Lawrence's Mr. Noon
  2. Jeffrey Meyers
  3. pp. 710-715
  4. DOI: 10.1353/mfs.0.1203
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  1. Correction
  2. William T. Stafford
  3. p. 721
  4. DOI: 10.1353/mfs.0.1239
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  1. The Theoretical Dimensions of Henry James, and: Henry James: Fiction as History (review)
  2. J. A. Ward
  3. pp. 723-725
  4. DOI: 10.1353/mfs.0.1313
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  1. Marietta Holley: Life with "Josiah Allen's Wife" (review)
  2. Sharon Spencer
  3. pp. 725-726
  4. DOI: 10.1353/mfs.0.1116
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  1. The Lost Life of Horatio Alger, Jr., and: Pearl Buck: A Woman in Conflict, and: Saroyan: A Biography (review)
  2. Dennis W. Petrie
  3. pp. 727-730
  4. DOI: 10.1353/mfs.0.1152
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  1. Hemingway (review)
  2. Valerie Meyers
  3. pp. 735-736
  4. DOI: 10.1353/mfs.0.1224
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  1. The Forties: From Notebooks and Diaries of the Period, and: Edmund Wilson's America (review)
  2. Richard Hauer Costa
  3. pp. 751-753
  4. DOI: 10.1353/mfs.0.1174
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  1. American Silences: The Realism of James Agee, Walker Evans, and Edward Hopper (review)
  2. Victor A. Kramer
  3. pp. 753-754
  4. DOI: 10.1353/mfs.0.1210
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  1. Los Angeles in Fiction: A Collection of Original Essays (review)
  2. William J. Palmer
  3. pp. 755-757
  4. DOI: 10.1353/mfs.0.1247
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  1. Passionate Virtuosity: The Fiction of John Barth, and: Silverless Mirrors: Book, Self and Postmodern American Fiction (review)
  2. Marianne Dekoven
  3. pp. 766-768
  4. DOI: 10.1353/mfs.0.1160
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  1. Thurber's Anatomy of Confusion (review)
  2. Martin Light
  3. pp. 773-775
  4. DOI: 10.1353/mfs.0.1232
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  1. "Ulysses": A Critical and Synoptic Edition (review)
  2. Marvin Magalaner
  3. pp. 782-784
  4. DOI: 10.1353/mfs.0.1343
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  1. The English Short Story, 1880-1945: A Critical History (review)
  2. Mary Rohrberger
  3. pp. 802-804
  4. DOI: 10.1353/mfs.0.1329
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  1. H. G. Wells (review)
  2. John R. Reed
  3. pp. 805-806
  4. DOI: 10.1353/mfs.0.1168
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  1. C. S. Lewis and the Search for Rational Religion (review)
  2. Brian Murray
  3. pp. 806-807
  4. DOI: 10.1353/mfs.0.1204
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  1. Lawrence in Oaxaca: A Quest for the Novelist in Mexico (review)
  2. Daniel R. Schwarz
  3. pp. 808-810
  4. DOI: 10.1353/mfs.0.1240
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  1. George Orwell and the Problem of Authentic Existence, and: The Orwell Mystique: A Study in Male Ideology (review)
  2. Richard J. Voorhees
  3. pp. 810-812
  4. DOI: 10.1353/mfs.0.1277
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  1. Saints, Sinners and Comedians: The Novels of Graham Greene (review)
  2. A. A. Devitis
  3. pp. 812-813
  4. DOI: 10.1353/mfs.0.1314
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  1. Samuel Beckett's Novel "Watt" (review)
  2. Frederik N. Smith
  3. pp. 813-814
  4. DOI: 10.1353/mfs.0.1117
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  1. Robert Musil and the Culture of Vienna (review)
  2. Gertrud B. Pickar
  3. pp. 826-828
  4. DOI: 10.1353/mfs.0.1336
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  1. Witnessing André Malraux: Visions and Re-Visions, and: Intimate Memoirs, Including Marie-Jo's Book (review)
  2. Verena Andermatt Conley
  3. pp. 832-835
  4. DOI: 10.1353/mfs.0.1175
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  1. Italian Literary Icons (review)
  2. Joann Cannon
  3. pp. 835-836
  4. DOI: 10.1353/mfs.0.1211
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  1. Reading for the Plot: Design and Intention in Narrative, and: Time and Narrative (review)
  2. Jonathan Arac
  3. pp. 840-841
  4. DOI: 10.1353/mfs.0.1322
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  1. Criticism and Critical Theory, and: Fictional Narrative and Truth: An Epistemic Analysis (review)
  2. Donald Morton
  3. pp. 842-844
  4. DOI: 10.1353/mfs.0.1125
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  1. The Poetics of Protest: Literary Form and Political Implication in the Victim-of-Society Novel (review)
  2. Murray Sperber
  3. pp. 844-845
  4. DOI: 10.1353/mfs.0.1161
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  1. The Realist Fantasy: Fantasy and Reality since "Clarissa", and: Motives for Fiction (review)
  2. William B. Bache
  3. pp. 846-847
  4. DOI: 10.1353/mfs.0.1197
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  1. At the Handles of the Lock: Themes in the Fiction of S. J. Agnon (review)
  2. Sanford Pinsker
  3. pp. 863-864
  4. DOI: 10.1353/mfs.0.1183
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  1. (Alternative) Literary Publishing: Five Modern Histories (review)
  2. Joseph R. Millichap
  3. pp. 864-865
  4. DOI: 10.1353/mfs.0.1219
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  1. Modern Fiction Studies Volume 31: 1985
  2. pp. 871-873
  3. DOI: 10.1353/mfs.0.1407
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  1. Other Books Received
  2. pp. 779-781
  3. DOI: 10.1353/mfs.0.1306
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  1. H. G. Wells in Love: Postscript to an Experiment in Autobiography (review)
  2. John Huntington
  3. pp. 804-805
  4. DOI: 10.1353/mfs.0.1132
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  1. Other Books Received
  2. pp. 820-821
  3. DOI: 10.1353/mfs.0.1225
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  1. Other Books Received
  2. pp. 836-837
  3. DOI: 10.1353/mfs.0.1248
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  1. Other Books Received
  2. pp. 869-870
  3. DOI: 10.1353/mfs.0.1293
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  1. Contributors
  2. p. 876
  3. DOI: 10.1353/mfs.0.1330
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