1. "Possession Granted by a Different Lease": Alexandra Bergson's Imaginative Conquest of Cather's Nebraska
  2. Demaree Peck
  3. pp. 5-22
  4. DOI: 10.1353/mfs.0.1006
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  1. Correction
  2. p. 23
  3. DOI: 10.1353/mfs.0.0291
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  1. Revisiting and Revising the West: Willa Cather's My Ántonia and Wright Morris' Plains Song
  2. Reginald Dyck
  3. pp. 25-38
  4. DOI: 10.1353/mfs.0.0423
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  1. "Behind the Singer Tower": Willa Cather and Flaubert
  2. Evelyn Haller
  3. pp. 39-54
  4. DOI: 10.1353/mfs.0.0554
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  1. A Note on Willa Cather's Use of Edgar Allan Poe's "The Pit and the Pendulum" in The Professor's House
  2. Thomas Strychacz
  3. pp. 57-60
  4. DOI: 10.1353/mfs.0.0687
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  1. "What was it . . . ?": The Secret of Family Accord in One of Ours
  2. Blanche H. Gelfant
  3. pp. 61-78
  4. DOI: 10.1353/mfs.0.0820
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  1. A Code of Her Own: Attitudes Toward Women in Willa Cather's Short Fiction
  2. Jeane Harris
  3. pp. 80-89
  4. DOI: 10.1353/mfs.0.0953
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  1. Displacing Homosexuality: The Use of Ethnicity in Willa Cather's My Ántonia
  2. Katrina Irving
  3. pp. 91-102
  4. DOI: 10.1353/mfs.0.0237
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  1. "A Losing Game in the End": Aestheticism and Homosexuality in Cather's "Paul's Case"
  2. Claude J. Summers
  3. pp. 103-119
  4. DOI: 10.1353/mfs.0.0369
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  1. Is Cather's Paul a Case?
  2. Loretta Wasserman
  3. pp. 121-129
  4. DOI: 10.1353/mfs.0.0501
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  1. Recent Books on Willa Cather: An Essay Review
  2. Susan J. Rosowski
  3. pp. 131-141
  4. DOI: 10.1353/mfs.0.0633
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  1. Acknowledgement
  2. p. 142
  3. DOI: 10.1353/mfs.0.0766
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  1. Announcement
  2. p. 142
  3. DOI: 10.1353/mfs.0.1512
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  1. Preface
  2. William J. Stuckey
  3. pp. 3-4
  4. DOI: 10.1353/mfs.0.0873
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  1. Contributors
  2. p. 144
  3. DOI: 10.1353/mfs.0.0899
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