We cannot verify your location
Browse Book and Journal Content on Project MUSE

  Volume 51, Number 1, Spring 2008

Table of Contents

From: Modern Drama

Previous Issue Next Issue

Jane Harrison and the Savage Dionysus: Archaeological Voyages, Ritual Origins, Anthropology, and the Modern Theatre

pp. 1-41

"Who's Selling Here?": Sounds Like The Music Man Is Selling and We're Buying

pp. 42-59

Homosexual Panic in Cat on a Hot Tin Roof

pp. 60-72

"Vinløv i håret": The Relationship between Women, Language, and Power in Ibsen's Hedda Gabler

pp. 73-83

Medea as Material: Heiner Müller, Myth, and Text

pp. 84-103

From Coward and Rattigan to Osborne: Or the Enduring Importance of Look Back in Anger

pp. 104-124

Bombing (on) the Border: Ali and Ali and the aXes of Evil as Transnational Agitprop

pp. 126-144


Beckett and Badiou: The Pathos of Intermittency (review)

pp. 145-147

Staging Black Feminisms: Identity, Politics, Performance (review)

pp. 147-149

A History of Asian American Theatre (review)

pp. 149-152

Chekhov: The Cherry Orchard (review)

pp. 152-154

The Plays of Beth Henley: A Critical Study (review)

pp. 154-156

Stage Fright, Animals and Other Theatrical Problems (review)

pp. 156-158

The Cambridge Companion to Brian Friel (review)

pp. 158-160

The Total Work of Art: From Bayreuth to Cyberspace (review)

pp. 160-162



pp. 163-164

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access