Volume 51, Number 1, Spring 2008

Table of Contents

From: Modern Drama

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Jane Harrison and the Savage Dionysus: Archaeological Voyages, Ritual Origins, Anthropology, and the Modern Theatre

pp. 1-41
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"Who's Selling Here?": Sounds Like The Music Man Is Selling and We're Buying

pp. 42-59
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Homosexual Panic in Cat on a Hot Tin Roof

pp. 60-72
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"Vinløv i håret": The Relationship between Women, Language, and Power in Ibsen's Hedda Gabler

pp. 73-83
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Medea as Material: Heiner Müller, Myth, and Text

pp. 84-103
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From Coward and Rattigan to Osborne: Or the Enduring Importance of Look Back in Anger

pp. 104-124
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Bombing (on) the Border: Ali and Ali and the aXes of Evil as Transnational Agitprop

pp. 126-144
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Reviews

Beckett and Badiou: The Pathos of Intermittency (review)

pp. 145-147
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Staging Black Feminisms: Identity, Politics, Performance (review)

pp. 147-149
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A History of Asian American Theatre (review)

pp. 149-152
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Chekhov: The Cherry Orchard (review)

pp. 152-154
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The Plays of Beth Henley: A Critical Study (review)

pp. 154-156
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Stage Fright, Animals and Other Theatrical Problems (review)

pp. 156-158
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The Cambridge Companion to Brian Friel (review)

pp. 158-160
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The Total Work of Art: From Bayreuth to Cyberspace (review)

pp. 160-162
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Contributors

Contributors

pp. 163-164
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