1. Tattoo Art: The Composition of Text, Voice, and Race in Melville’s Moby-Dick
  2. Matthew Cordova Frankel
  3. pp. 114-147
  4. DOI: 10.1353/esq.0.0002
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  1. Picturesque Reform in the New England Village Novel, 1845–1867
  2. John Evelev
  3. pp. 148-183
  4. DOI: 10.1353/esq.0.0003
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  1. The Bartleby Industry and Bartleby’s Idleness
  2. Andrew Knighton
  3. pp. 184-215
  4. DOI: 10.1353/esq.0.0004
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  1. Notes from the Editors
  2. p. ii
  3. DOI: 10.1353/esq.0.0001
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  1. Contributors
  2. p. 216
  3. DOI: 10.1353/esq.0.0000
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