1. Award
  2. pp. 158-159
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  1. Fishing for Stories: What "Big Two-Hearted River" is Really About
  2. Robert Paul Lamb
  3. pp. 161-181
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  1. Marlow's Rhetoric of (Self-) Deception in Heart of Darkness
  2. Barry Stampfl
  3. pp. 183-196
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  1. "This Obsessive Reinvention of the Real": Speculative Narrative in Philip Roth's the Counterlife
  2. Debra Shostak
  3. pp. 197-215
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  1. The Re-Humanization of Art: Pictorial Aesthetics in John Fowles's The Ebony Tower and Daniel Martin
  2. Lynne S. Vieth
  3. pp. 217-233
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  1. Raymond Carver's Monologic Imagination
  2. Miriam Marty Clark
  3. pp. 240-247
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  1. Writing the American Classics (review)
  2. Linda Wagner-Martin
  3. p. 253
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  1. Writers in Hollywood 1915-1951 (review)
  2. Albert E. Kalson
  3. pp. 259-261
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  1. Gertrude Stein, and: Reading Gertrude Stem: Body, Text, Gnosis (review)
  2. Michael J. Hoffman
  3. pp. 261-263
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  1. Hemingway in Italy and Other Essays (review)
  2. Albert J. DeFazio III
  3. pp. 263-264
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  1. Mazo de la Roche: The Hidden Life (review)
  2. George Hendrick
  3. pp. 264-265
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  1. Confronting the Horror: The Novels of Nelson Algren, and: To Reach Eternity: The Letters of James Jones (review)
  2. Allen D. Boyer
  3. pp. 266-267
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  1. Vietnam in American Literature, and: Doing Time in American Prisons: A Study of Modern Novels (review)
  2. Thomas Myers
  3. pp. 268-270
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  1. Conversation with Raymond Carver (review)
  2. Patricia Henley
  3. pp. 270-271
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  1. Thomas Pynchon: Allusive Parables of Power, and: The Gnostic Pynchon (review)
  2. Steven Weisenburger
  3. pp. 271-273
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  1. Inter/View: Talks with America's Writing Women (review)
  2. Elizabeth Boyd Thompson
  3. pp. 275-276
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  1. Brazilian Fiction: Aspects and Evolution of the Contemporary Narrative (review)
  2. Paul Dixon
  3. pp. 287-288
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  1. Darkness at Heart: Fathers and Sons in Conrad, and: Joseph Conrad: Narrative Technique and Ideological Commitment (review)
  2. John Halperin
  3. pp. 295-296
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  1. W. H. Hudson and the Elusive Paradise, and: In the Spirit of Powys: New Essays (review)
  2. John Walker
  3. pp. 296-298
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  1. Narcissis and the Novel (review)
  2. Harold H. Watts
  3. p. 299
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  1. Erotic Faith: Being in Love from Jane Austen to D. H. Lawrence (review)
  2. Harold H. Watts
  3. pp. 299-300
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  1. "Ulysses" as a Comic Novel, and: Joyce Studies Annual: 1990, and: Coping with Joyce: Essays from the Copenhagen Symposium (review)
  2. Michael Patrick Gillespie
  3. pp. 306-308
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  1. On Miracle Ground: Essays on the Fiction of Lawrence Durrell (review)
  2. Reed Way Dasenbrock
  3. p. 309
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  1. In Pursuit of Doris Lessing: Nine Nations Reading, and: Vocation and Identity in the Fiction of Muriel Spark (review)
  2. Margaret Moan Rowe
  3. pp. 310-311
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  1. Drieu La Rochelle and the Picture Gallery Novel: French Modernism in the Interwar Years (review)
  2. Nada Elia
  3. pp. 313-314
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  1. Albert Camus, and: Albert Camus (review)
  2. Thomas M. Hines
  3. pp. 314-317
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  1. Dürrenmatt: Reinterpretation in Retrospect (review)
  2. Keith Bullivant
  3. pp. 317-318
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  1. Responses to Christa Wolf: Critical Essays (review)
  2. Kathleen L. Komar
  3. pp. 318-320
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  1. Contemporary Women Writers in Italy: A Modern Renaissance, and: Calvino and the Age of Neorealism: Fables of Estrangement (review)
  2. JoAnn Cannon
  3. pp. 320-322
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  1. Images of the Sign: Semiotic Consciousness in the Novels of Benito Pérez Galdós, and: Juan Goytisolo: The Case for Chaos (review)
  2. Nina L. Molinaro
  3. pp. 329-330
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  1. Masks of Conquest: Literary Study and British Rule in India (review)
  2. Kanishka Chowdhury
  3. pp. 331-332
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  1. Salman Rushdie: Sentenced to Death (review)
  2. Tim Brennan
  3. pp. 333-334
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  1. The New Indian Novel in English: A Study of the 1980s (review)
  2. Nalini Iyer
  3. pp. 334-335
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  1. Suicidal Narrative in Japan: The Case of Dazai Osamu (review)
  2. Marvin Marcus
  3. pp. 335-336
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  1. Short Story Theory at a Crossroads, and: Re-reading the Short Story (review)
  2. Wendell Aycock
  3. pp. 337-338
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  1. Modern Allegory and Fantasy: Rhetorical Stances of Contemporary Writing (review)
  2. E. Ann Kaplan
  3. pp. 340-342
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  1. The Cunning Craft: Original Essays on Detective Fiction and Contemporary Literary Theory (review)
  2. Larry D. Harred
  3. pp. 348-349
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  1. The Art of Fact: Contemporary Artists of Nonfiction (review)
  2. Malini Schueller
  3. pp. 349-350
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  1. Reading Narrative Discourse: Studies in the Novel from Cervantes to Beckett (review)
  2. Mark Osteen
  3. pp. 351-352
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  1. Gay Fictions: Wilde to Stonewall (review)
  2. Thomas Dukes
  3. pp. 352-353
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  1. Travels of a Genre: The Modern Novel and Ideology (review)
  2. Nada Elia
  3. pp. 353-354
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  1. European Literature and Theology in the Twentieth Century: Ends of Time (review)
  2. Michael Beehler
  3. pp. 354-355
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  1. Paths of Resistance: The Art and Craft of the Political Novel. Robert Stone/Isabel Allende/Charles McCarry/Marge Piercy/Gore Vidal (review)
  2. Mark Osteen
  3. pp. 357-358
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  1. Circus of the Mind in Motion: Postmodernism and the Comic Vision (review)
  2. Robert D. Newman
  3. p. 359
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  1. Strategies of Reticence: Silence and Meaning in the Works of Jane Austen, Willa Cather, Katherine Anne Porter, and Joan Didion (review)
  2. Sharon Felton
  3. pp. 360-361
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  1. Announcement
  2. p. 369
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  1. Correction
  2. p. 370
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  1. Contributors
  2. p. 160
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  1. Covering a Debt: F. Scott Fitzgerald and Francis Cugat
  2. D. Mesher
  3. pp. 235-239
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  1. Other Books Received
  2. pp. 288-291
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  1. Other Books Received
  2. pp. 312-313
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  1. Other Books Received
  2. pp. 330-331
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  1. Other Books Received
  2. p. 337
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  1. Other Books Received
  2. p. 350
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  1. Other Books Received
  2. p. 367
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