1. Marcel's Écriture Féminine
  2. Margaret Gray-McDonald
  3. pp. 337-352
  4. DOI: 10.1353/mfs.0.0469
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  1. "Utterly Other Discourse": The Anticanon of Experimental Women Writers from Dorothy Richardson to Christine Brooke-Rose
  2. Ellen G. Friedman
  3. pp. 353-370
  4. DOI: 10.1353/mfs.0.0601
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  1. The Word Split Its Husk: Woolf's Double Vision of Modernist Language
  2. Bonnie Kime Scott
  3. pp. 371-385
  4. DOI: 10.1353/mfs.0.0734
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  1. Two into Three Won't Go: Mimetic Desire and the Dream of Androgyny in Dancing in the Dark
  2. D.S. Neff
  3. pp. 387-403
  4. DOI: 10.1353/mfs.0.0867
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  1. The Good Old Days in The Good Mother
  2. Toby Silverman Zinman
  3. pp. 405-412
  4. DOI: 10.1353/mfs.0.0285
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  1. Misogyny and Appropriation in Wright's Native Son
  2. Alan W. France
  3. pp. 413-423
  4. DOI: 10.1353/mfs.0.0417
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  1. Linda Snopes Kohl: Faulkner's Radical Woman
  2. Keith Louise Fulton
  3. pp. 425-436
  4. DOI: 10.1353/mfs.0.0548
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  1. Unquiet Ghosts: The Struggle for Representation in Jean Rhys's Wide Sargasso Sea
  2. Mona Fayad
  3. pp. 437-452
  4. DOI: 10.1353/mfs.0.0681
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  1. Feminism and African Fiction: The Novels of Mariama Bâ
  2. Charles Ponnuthurai Sarvan
  3. pp. 453-464
  4. DOI: 10.1353/mfs.0.0814
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  1. "In Conversation": Gertrude Stein's Speaker, Message, and Receiver in Painted Lace and other Pieces (1914-1937)
  2. Elizabeth Fifer
  3. pp. 465-480
  4. DOI: 10.1353/mfs.0.0947
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  1. (En)gendering Metafiction: Doris Lessing's Rehearsals for The Golden Notebook
  2. Molly Hite
  3. pp. 481-500
  4. DOI: 10.1353/mfs.0.0231
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  1. Feminist Critical Theory: A Checklist
  2. Laura Sue Fuderer
  3. pp. 501-513
  4. DOI: 10.1353/mfs.0.0363
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  1. Contributors
  2. p. 334
  3. DOI: 10.1353/mfs.0.0920
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  1. Preface
  2. Margaret Moan Rowe
  3. p. 335
  4. DOI: 10.1353/mfs.0.0204
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