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Table of Contents

  1. Is Not a Prologue": Paradoxes of Historical and Poetic Discourse in the Prologue of Don Quixote, Part I
  2. Charles Presberg
  3. pp. 215-239
  4. DOI: https://doi.org/10.1353/mln.1995.0035
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  1. Mysticism and Carnival in Don Quijote I, 19-20
  2. James Iffland
  3. pp. 240-270
  4. DOI: https://doi.org/10.1353/mln.1995.0031
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  1. Triangular Desire and Sensory Deception in Francisco de la Cueva y Silva's Trajedia de Narciso
  2. Michael Kidd
  3. pp. 271-283
  4. DOI: https://doi.org/10.1353/mln.1995.0033
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  1. A Poetics of Time and Space: Ekphrasis and the Modern Vision in Azorin and Velazquez
  2. Gayana Jurkevich
  3. pp. 284-301
  4. DOI: https://doi.org/10.1353/mln.1995.0032
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  1. The Sublime, the Beautiful, and the Imagination in Zorrilla's Don Juan Tenorio
  2. C. Christopher Soufas
  3. pp. 302-319
  4. DOI: https://doi.org/10.1353/mln.1995.0036
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  1. Camping it up in the Francoist Camp: Reflections on and in Ante el espejo of Luis Antonio de Villena
  2. Robert Richmond Ellis
  3. pp. 320-334
  4. DOI: https://doi.org/10.1353/mln.1995.0029
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  1. Is Women's Writing in Spanish America Gender-Specific?
  2. Stephen M. Hart
  3. pp. 335-352
  4. DOI: https://doi.org/10.1353/mln.1995.0030
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  1. Confessing to the Father: Marks of Gender and Class in Ursula Suarez's Relacion
  2. Maria Ines Lagos
  3. pp. 353-384
  4. DOI: https://doi.org/10.1353/mln.1995.0034
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  1. Hacia una Poetica hispanoamericana de la novela decimononica (I): El texto
  2. Wilfrido H. Corral
  3. pp. 385-415
  4. DOI: https://doi.org/10.1353/mln.1995.0028
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  1. Como respiran los ausentes: La narrativa de Ricardo Piglia
  2. Idelber Avelar
  3. pp. 416-432
  4. DOI: https://doi.org/10.1353/mln.1995.0013
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  1. Seventeenth-Century Spanish Poetry: The Power of Artifice
  2. Elias L. Rivers
  3. pp. 433-435
  4. DOI: https://doi.org/10.1353/mln.1995.0025
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  1. Suenos y Discursos (review)
  2. Roncero López, Victoriano, 1959-
  3. pp. 435-440
  4. DOI: https://doi.org/10.1353/mln.1995.0027
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  1. The Prince in the Tower: Perceptions of La vida es sueno
  2. Dian Fox
  3. pp. 440-442
  4. DOI: https://doi.org/10.1353/mln.1995.0015
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  1. Apology to Apostrophe: Autobiography and the Rhetoric of Self-Representation in Spain
  2. Susan Kirkpatrick
  3. pp. 442-446
  4. DOI: https://doi.org/10.1353/mln.1995.0016
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  1. The Reframing of Realism, Galdos and the Discourses of the Nineteenth-Century Spanish Novel
  2. Luis Fernández Cifuentes
  3. pp. 446-449
  4. DOI: https://doi.org/10.1353/mln.1995.0018
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  1. History and Fiction in Galdos's Narratives
  2. Peter Bly
  3. pp. 449-451
  4. DOI: https://doi.org/10.1353/mln.1995.0022
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  1. Crossfire: Philosophy and the Novel in Spain, 1900-1934
  2. E. Inman Fox
  3. pp. 451-454
  4. DOI: https://doi.org/10.1353/mln.1995.0019
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  1. Theatre in Latin America: Religion, Politics, and Culture from Cortes to the 1980s
  2. Priscilla Meléndez
  3. pp. 454-457
  4. DOI: https://doi.org/10.1353/mln.1995.0026
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  1. Jorge Luis Borges: A Writer on the Edge
  2. Marcy E. Schwartz
  3. pp. 457-459
  4. DOI: https://doi.org/10.1353/mln.1995.0023
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  1. Sugar’s Secrets: Race and the Erotics of Cuban Nationalism (review)
  2. Eduardo González
  3. pp. 460-462
  4. DOI: https://doi.org/10.1353/mln.1995.0020
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  1. Desire Unlimited: The Cinema of Pedro Almodovar
  2. Eduardo González
  3. pp. 462-464
  4. DOI: https://doi.org/10.1353/mln.1995.0024
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  1. Life on the Hyphen: The Cuban-American Way
  2. Noël Maureen Valis
  3. pp. 464-465
  4. DOI: https://doi.org/10.1353/mln.1995.0017
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  1. Erotismo y representacion en Julian del Casal
  2. Reinaldo José Laddaga
  3. pp. 466-470
  4. DOI: https://doi.org/10.1353/mln.1995.0021
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  1. Books Received
  2. pp. 471-474
  3. DOI: https://doi.org/10.1353/mln.1995.0014
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