1. What's That Sound?: Korean Fusion Music and the Ascendancy of the Haegŭm
  2. R. Anderson Sutton
  3. pp. 1-27
  4. DOI: 10.1353/amu.0.0007
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  1. Nationalism, Nationalization, and the Egyptian Music Industry: Muhammad Fawzy, Misrphon, and Sawt al-Qahira (SonoCairo)
  2. Michael Frishkopf
  3. pp. 28-58
  4. DOI: 10.1353/amu.0.0009
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  1. Xylophones in Thailand and Java: A Comparative Phenomenology of Musical Instruments
  2. Jan Mrázek
  3. pp. 59-107
  4. DOI: 10.1353/amu.0.0011
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  1. Temple Music Traditions in Hindu South India: Periya Mēḷam and Its Performance Practice
  2. Yoshitaka Terada
  3. pp. 108-151
  4. DOI: 10.1353/amu.0.0001
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  1. Typology of Musical Structures in the Japanese Shintô Ritual Kagura
  2. János Kárpáti
  3. pp. 152-166
  4. DOI: 10.1353/amu.0.0003
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  1. Innovation in the Guise of Tradition: Music among the Chin Population of Indianapolis, USA
  2. Heather MacLachlan
  3. pp. 167-185
  4. DOI: 10.1353/amu.0.0005
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  1. Hindi Poetry in a Musical Genre: Thumri Lyrics (review)
  2. Amanda Weidman
  3. pp. 186-188
  4. DOI: 10.1353/amu.0.0006
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  1. The Repertoire of Iraqi Maqam (review)
  2. Scott Marcus
  3. pp. 188-193
  4. DOI: 10.1353/amu.0.0008
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  1. Song of the True Hand (review)
  2. Jay Keister
  3. pp. 194-197
  4. DOI: 10.1353/amu.0.0010
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  1. Bhakti: The Sound of the Soul (review)
  2. Meilu Ho
  3. pp. 197-199
  4. DOI: 10.1353/amu.0.0000
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  1. Gamelan de Solo-Le jeu des Sentiments (A Garland of Moods) (review)
  2. Sumarsam
  3. pp. 199-201
  4. DOI: 10.1353/amu.0.0002
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  1. About the Contributors
  2. pp. 202-204
  3. DOI: 10.1353/amu.0.0004
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