restricted access   Volume 40, Number 1, Summer 2008

Table of Contents


Editor’s Note

pp. v-vii

Martha Graham’s Haunting Body: Autobiography at the Intersection of Writing and Dancing

pp. 3-16

Emotions in the Everyday Life of a Dance School: Articulating Unspoken Values

pp. 17-30

We Dance for Knowledge

pp. 31-44

Salsa Dance and the Transformation of Style: An Ethnographic Study of Movement and Meaning in a Cross-Cultural Context

pp. 45-64

Women Dancing Back—and Forth: Resistance and Self-Regulation in Belfast Salsa

pp. 65-77


The Performance Arts in Africa: A Reader (review)

pp. 81-83

Josephine Baker in Art and Life: The Icon and the Image (review)

pp. 83-86

Glamour Addiction: Inside the American Ballroom Dance Industry (review)

pp. 86-88

Dancing Wisdom: Embodied Knowledge in Haitian Vodou, Cuban Yoruba, and Bahian Candomblé (review)

pp. 89-92

Performing Konarak, Performing Hirapur: Documenting The Odissi of Guru Surendranath Jena, and: Interpreting and (Re)Constructing Indonesian Dance and Music Heritage (review)

pp. 92-95

Dancing from Past to Present: Nation, Culture, Identities, and: Dance and Society: Dancer as a Cultural Performer. Re-Appraising Our Past, Moving into the Future (review)

pp. 95-98

In Memoriam

Remembering Alice Dinizulu (Ohema Afua Owusua)

pp. 99-100

Dixie L. Durr: July 11, 1940–September 2, 2007

pp. 101-102