1. Elizabethan Play-Boys in the Adult London Companies
  2. Robert Barrie
  3. pp. 237-257
  4. DOI: 10.1353/sel.0.0003
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  1. Doctor Faustus and the Printer’s Devil
  2. Sarah Wall-Randell
  3. pp. 259-281
  4. DOI: 10.1353/sel.0.0001
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  1. Patient Grissil and Jonsonian Satire
  2. Tom Rutter
  3. pp. 283-303
  4. DOI: 10.1353/sel.0.0011
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  1. Gertrude’s Elusive Libido and Shakespeare’s Unreliable Narrators
  2. Richard Levin
  3. pp. 305-326
  4. DOI: 10.1353/sel.0.0009
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  1. Kent and Primogeniture in King Lear
  2. Ronald W. Cooley
  3. pp. 327-348
  4. DOI: 10.1353/sel.0.0004
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  1. Siring the Grandchild in The Winter’s Tale and The Fawn
  2. Robert W. Reeder
  3. pp. 349-371
  4. DOI: 10.1353/sel.0.0005
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  1. Single Parenting, Homeschooling: Prospero, Caliban, Miranda
  2. Hiewon Shin
  3. pp. 373-393
  4. DOI: 10.1353/sel.0.0008
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  1. The End of the English History Play in Perkin Warbeck
  2. Miles Taylor
  3. pp. 395-418
  4. DOI: 10.1353/sel.0.0006
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  1. Performance, Performativity, and Identity in Margaret Cavendish’s The Convent of Pleasure
  2. Katherine R. Kellett
  3. pp. 419-442
  4. DOI: 10.1353/sel.0.0002
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  1. Recent Studies in Tudor and Stuart Drama
  2. Peter G. Platt
  3. pp. 443-517
  4. DOI: 10.1353/sel.0.0010
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  1. Books Received
  2. Peter G. Platt
  3. pp. 443-517
  4. DOI: 10.1353/sel.2008.0011
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