1. From the Editor
  2. p. 1
  3. DOI: 10.1353/ncf.0.0021
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  1. Signs of Origin: Victor Hugo's Bug-Jargal
  2. Kathrine M. Bonin
  3. pp. 193-204
  4. DOI: 10.1353/ncf.0.0015
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  1. Signs of Reading and the Subject of Love in Stendhal's De l'amour
  2. Angela N. Hunter
  3. pp. 205-220
  4. DOI: 10.1353/ncf.0.0008
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  1. The Bird's-Eye View: Looking at the City in Paris and Algiers
  2. Seth Graebner
  3. pp. 221-239
  4. DOI: 10.1353/ncf.0.0001
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  1. "Le Charbon ardent" in Balzac's La Recherche de l'Absolu and "Des artistes"
  2. Raina F. Uhden
  3. pp. 240-254
  4. DOI: 10.1353/ncf.0.0027
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  1. The Sonnet as Snapshot: Seizing the Instant in Baudelaire's "A une passante"
  2. Susan Blood
  3. pp. 255-269
  4. DOI: 10.1353/ncf.0.0033
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  1. Savoir c'est pouvoir: Integral Education in the Novels of André Léo
  2. Cecilia Beach
  3. pp. 270-285
  4. DOI: 10.1353/ncf.0.0039
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  1. The Anarchic Commune as World's Fair in Émile Zola's Travail
  2. Eduardo A. Febles
  3. pp. 286-304
  4. DOI: 10.1353/ncf.0.0005
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  1. Le Struggleforlife: Contesting Balzac through Darwin in Zola, Bourget, and Barrès
  2. Louise Lyle
  3. pp. 305-319
  4. DOI: 10.1353/ncf.0.0012
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  1. Sacred Bonds of Solidarity: The Rise of Jewish Internationalism in Nineteenth-Century France (review)
  2. Maurice Samuels
  3. pp. 320-321
  4. DOI: 10.1353/ncf.0.0019
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  1. Les Voix du peuple dans la littérature des XIXe et XXe siècles (Actes du colloque de Strasbourg, 12–14 mai 2005) (review)
  2. Martyn Lyons
  3. pp. 321-323
  4. DOI: 10.1353/ncf.0.0025
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  1. Cultural Capitals: Early Modern London and Paris (review)
  2. Warren Johnson
  3. pp. 323-324
  4. DOI: 10.1353/ncf.0.0031
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  1. The Limits of Performance in the French Romantic Theatre (review)
  2. Angela C. Pao
  3. pp. 324-326
  4. DOI: 10.1353/ncf.0.0037
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  1. Seul dans l'orient lointain:Les voyages de Nerval et Du Camp (review)
  2. Hisashi Mizuno
  3. pp. 326-328
  4. DOI: 10.1353/ncf.0.0003
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  1. Le Roman à table: Nourritures et repas imaginaires dans le roman français, 1850-1900 (review)
  2. Leonard W. Johnson
  3. pp. 329-331
  4. DOI: 10.1353/ncf.0.0017
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  1. Beyond Papillon: The French Overseas Penal Colonies, 1854-1952 (review)
  2. Carolyn Strange
  3. pp. 331-333
  4. DOI: 10.1353/ncf.0.0023
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  1. Music as Thought: Listening to the Symphony in the Age of Beethoven (review)
  2. Alain Frogley
  3. pp. 333-335
  4. DOI: 10.1353/ncf.0.0029
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  1. Romanticism and Postromanticism (review)
  2. Sara Pappas
  3. pp. 335-337
  4. DOI: 10.1353/ncf.0.0035
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  1. Liszt et le virtuose romantique (review)
  2. David A. Powell
  3. pp. 337-338
  4. DOI: 10.1353/ncf.0.0000
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  1. Sculpture et poétique: Sculpture and Literature in France, 1789-1859 (review)
  2. Barbara Wright
  3. pp. 339-340
  4. DOI: 10.1353/ncf.0.0007
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  1. Leaving Parnassus: The Lyric Subject in Verlaine and Rimbaud (review)
  2. Adrianna M. Paliyenko
  3. pp. 341-342
  4. DOI: 10.1353/ncf.0.0014
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  1. Balzac avant Balzac (review)
  2. Masha Belenky
  3. pp. 342-344
  4. DOI: 10.1353/ncf.0.0020
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  1. Balzac géographe: Territoires (review)
  2. Stéphane Vachon
  3. pp. 344-346
  4. DOI: 10.1353/ncf.0.0026
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  1. Une Poétique de l'énigme: Le Récit herméneutique balzacien (review)
  2. Raina Uhden
  3. pp. 346-348
  4. DOI: 10.1353/ncf.0.0032
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  1. Cora, ou l'esclavage (review)
  2. Lesley Wright
  3. pp. 348-350
  4. DOI: 10.1353/ncf.0.0038
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  1. The Writer of Modern Life: Essays on Charles Baudelaire (review)
  2. Ann Smock
  3. pp. 350-351
  4. DOI: 10.1353/ncf.0.0004
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  1. Logiques du dernier Baudelaire: Lectures du "Spleen de Paris" (review)
  2. Áine Larkin
  3. p. 352
  4. DOI: 10.1353/ncf.0.0011
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  1. The Most Arrogant Man in France:Gustave Courbet and The Nineteenth-Century Media Culture (review)
  2. Chiara O'Reilly
  3. pp. 352-354
  4. DOI: 10.1353/ncf.0.0018
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  1. Ourika, Édouard, Olivier ou Le Secret (review)
  2. Mary Ellen Birkett
  3. pp. 354-355
  4. DOI: 10.1353/ncf.0.0024
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  1. Correspondance I 1893-1901, and: Correspondance II 1902-1936, and: Correspondance 1892-1945 (review)
  2. Catharine Savage Brosman
  3. pp. 356-358
  4. DOI: 10.1353/ncf.0.0030
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  1. The Temptation of the Impossible: Victor Hugo and Les Misérables (review)
  2. Suzanne Nash
  3. pp. 359-360
  4. DOI: 10.1353/ncf.0.0036
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  1. Lovenjoul (1836-1907): Une vie, une collection (review)
  2. Stéphane Vachon
  3. pp. 360-362
  4. DOI: 10.1353/ncf.0.0002
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  1. Journal intime inédit, volume VI (1854-1858) (review)
  2. Marc Serge Rivière
  3. pp. 362-363
  4. DOI: 10.1353/ncf.0.0009
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  1. George Sand: Les Dames Vertes (review)
  2. Marie-Jacques Hoog
  3. pp. 363-366
  4. DOI: 10.1353/ncf.0.0016
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  1. Fleurs et jardins dans l'œuvre de George Sand (review)
  2. Sharon L. Fairchild
  3. pp. 366-367
  4. DOI: 10.1353/ncf.0.0022
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  1. Émile Zola au pays de l'anarchie (review)
  2. Eduardo A. Febles
  3. pp. 368-369
  4. DOI: 10.1353/ncf.0.0028
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  1. Zola et le texte naturaliste en Europe et aux Amériques: Généricité, intertextualité et influences (review)
  2. Kate Griffiths
  3. pp. 369-371
  4. DOI: 10.1353/ncf.0.0034
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  1. The Mother Figure in Émile Zola's Les Rougon-Macquart : Literary Realism and the Quest for the Ideal Mother (review)
  2. Geoff Woollen
  3. pp. 371-372
  4. DOI: 10.1353/ncf.0.0040
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  1. Index to Vol. 36 Nos. 1–4
  2. pp. 377-382
  3. DOI: 10.1353/ncf.0.0013
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