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Table of Contents

  1. "How A Child's Mind Works": Assessing The "Value" Of Britten's Juvenilia
  2. Lucy Walker
  3. pp. 641-658
  4. DOI: https://doi.org/10.1353/not.0.0008
  5. restricted access
  1. "Experimentalists and Independents are Favored": John Edmunds in Conversation with Peter Yates and John Cage, 1959-61
  2. Amy C. Beal
  3. pp. 659-687
  4. DOI: https://doi.org/10.1353/not.0.0014
  5. restricted access
  1. The Records of the New York Composers' Forum: The Documentary Motive and Music in the 1930s
  2. Melissa J. de Graaf
  3. pp. 688-701
  4. DOI: https://doi.org/10.1353/not.0.0020
  5. restricted access
  1. Necrology Index
  2. Paul Hahn
  3. pp. 702-716
  4. DOI: https://doi.org/10.1353/not.0.0026
  5. restricted access
  1. Notes for NOTES
  3. pp. 717-721
  4. DOI: https://doi.org/10.1353/not.0.0032
  5. restricted access
  1. Graun-Werkverzeichnis (GraunWV), and: Die Musikaliensammlung Thulemeier und die Berliner Musiküberlieferung in der zweiten Hälfte des 18. Jahrhunderts (review)
  2. Mary Oleskiewicz, David Schulenberg
  3. pp. 722-727
  4. DOI: https://doi.org/10.1353/not.0.0001
  5. restricted access
  1. Music in Seventeenth-Century Naples: Francesco Provenzale (1624–1704) (review)
  2. Guido Olivieri
  3. pp. 727-729
  4. DOI: https://doi.org/10.1353/not.0.0006
  5. restricted access
  1. Mozart's Viennese Instrumental Music: A Study of Stylistic Re-Invention (review)
  2. Wiebke Thormählen
  3. pp. 729-731
  4. DOI: https://doi.org/10.1353/not.0.0012
  5. restricted access
  1. Charles Valentin Alkan: His Life and His Music (review)
  2. Jonathan Kregor
  3. pp. 731-733
  4. DOI: https://doi.org/10.1353/not.0.0018
  5. restricted access
  1. Discovering Mahler: Writings on Mahler 1955–2005 (review)
  2. James L. Zychowicz
  3. pp. 733-736
  4. DOI: https://doi.org/10.1353/not.0.0024
  5. restricted access
  1. The Puccini Problem: Opera, Nationalism and Modernity (review)
  2. Arman Schwartz
  3. pp. 736-738
  4. DOI: https://doi.org/10.1353/not.0.0030
  5. restricted access
  1. Edward Elgar and His World (review)
  2. James Brooks Kuykendall
  3. pp. 738-740
  4. DOI: https://doi.org/10.1353/not.0.0035
  5. restricted access
  1. Erik Satie (review)
  2. Keith Clifton
  3. pp. 741-743
  4. DOI: https://doi.org/10.1353/not.0.0004
  5. restricted access
  1. Olivier Messiaen: Oiseaux exotiques (review)
  2. Vincent Benitez
  3. pp. 743-745
  4. DOI: https://doi.org/10.1353/not.0.0010
  5. restricted access
  1. The Selected Writings of Max Reger (review)
  2. Vincent Rone
  3. pp. 745-748
  4. DOI: https://doi.org/10.1353/not.0.0016
  5. restricted access
  1. Selected Correspondence of Charles Ives (review)
  2. Clayton W. Henderson
  3. pp. 748-751
  4. DOI: https://doi.org/10.1353/not.0.0022
  5. restricted access
  1. The Selected Writings of John Duke: 1917–1984 (review)
  2. Stephanie Bonjack
  3. pp. 751-752
  4. DOI: https://doi.org/10.1353/not.0.0028
  5. restricted access
  1. Deems Taylor: Selected Writings (review)
  2. Christopher E. Mehrens
  3. pp. 752-754
  4. DOI: https://doi.org/10.1353/not.0.0033
  5. restricted access
  1. Dance and Its Music in America, 1528–1789 (review)
  2. John E. Druesedow
  3. pp. 755-757
  4. DOI: https://doi.org/10.1353/not.0.0002
  5. restricted access
  1. Unsettling Opera: Staging Mozart, Verdi, Wagner and Zeminsky (review)
  2. Richard LeSueur
  3. pp. 757-758
  4. DOI: https://doi.org/10.1353/not.0.0007
  5. restricted access
  1. Beyond the Soundtrack: Representing Music in Cinema (review)
  2. Erica K. Argyropoulos
  3. pp. 759-761
  4. DOI: https://doi.org/10.1353/not.0.0013
  5. restricted access
  1. Trinidad Carnival: The Cultural Politics of a Transnational Festival (review)
  2. Andrew R. Martin
  3. pp. 761-763
  4. DOI: https://doi.org/10.1353/not.0.0019
  5. restricted access
  1. Harps and Harpists (review)
  2. Suzanne L. Moulton-Gertig
  3. pp. 763-764
  4. DOI: https://doi.org/10.1353/not.0.0025
  5. restricted access
  1. The Performance of Italian Basso Continuo: Style in Keyboard Accompaniment in the Seventeenth and Eighteenth Centuries (review)
  2. Andrew Appel
  3. pp. 765-766
  4. DOI: https://doi.org/10.1353/not.0.0031
  5. restricted access
  1. The End of Early Music: A Period Performer's History of Music for the Twenty-First Century (review)
  2. David Dolata
  3. pp. 767-769
  4. DOI: https://doi.org/10.1353/not.0.0000
  5. restricted access
  1. Books Recently Published
  2. Julia Graepel, Karen R. Little
  3. pp. 770-786
  4. DOI: https://doi.org/10.1353/not.0.0005
  5. restricted access
  1. Choral Public Domain Library (review)
  2. Robert D. Terrio
  3. pp. 794-796
  4. DOI: https://doi.org/10.1353/not.0.0017
  5. restricted access
  1. African American Old-Time String Band Music: A Selective Discography
  2. Chris Durman
  3. pp. 797-808
  4. DOI: https://doi.org/10.1353/not.0.0023
  5. restricted access
  1. Briefly Noted
  2. Rick Anderson
  3. pp. 808-815
  4. DOI: https://doi.org/10.1353/not.0.0037
  5. restricted access
  1. Obra vocal: Obras para voz y piano (review)
  2. Walter Aaron Clark
  3. pp. 816-819
  4. DOI: https://doi.org/10.1353/not.0.0029
  5. restricted access
  1. Danse bohémienne; Danse (Tarentelle styrienne); Ballade (Ballade slave); Valse romantique; Suite bergamasque; Rêverie; Mazurka; Deux arabesques; Nocturne, and: Morceau de concours; The Little Nigar; Hommage à Haydn; La plus que lente; Six épigraphes antiques; Berceuse héroïque; Pour l'œuvre "du Vêtement du blessé"; Élégie; Les soirs illuminés par l'ardeur du charbon; Intermède, and: 1re Arabesque, and: Estampes, and: Images, 1e série, and: Images, 2e série, and: Nocturne pour piano, and: Pour le piano, and: Préludes: 1er et 2e livres, and: Debussy Masterpieces for Solo Piano: 20 Works, and: Children's Corner: Petite suite pour piano seul, and: Leichte Klavierstücke und Tänze (review)
  2. Mark DeVoto
  3. pp. 819-824
  4. restricted access
  1. Music Publishers' Catalogs
  2. George R. Hill
  3. pp. 830-831
  4. DOI: https://doi.org/10.1353/not.0.0009
  5. restricted access
  1. MLA Financial Statements
  3. pp. 832-842
  4. DOI: https://doi.org/10.1353/not.0.0015
  5. restricted access
  1. Index to Volume 64 September 2007 through June 2008
  2. Martin D. Jenkins
  3. pp. 875-884
  4. DOI: https://doi.org/10.1353/not.0.0027
  5. restricted access
  1. Index to Printed Music: Collections & Series (IPM) (review)
  2. Jean Harden
  3. pp. 787-793
  4. DOI: https://doi.org/10.1353/not.0.0011
  5. restricted access
  1. Music Received
  2. David Knapp
  3. pp. 825-829
  4. DOI: https://doi.org/10.1353/not.0.0003
  5. restricted access