1. Hip-Hop Hegemony
  2. Janell Hobson
  3. pp. 15-18
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  1. Like an Old Soul Record: Black Feminism, Queer Sexuality, and the Hip-Hop Generation
  2. Andreana Clay
  3. pp. 53-73
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  1. Hotep and Hip-Hop: Can Black Muslim Women Be Down with Hip-Hop?1
  2. Anaya Mcmurray
  3. pp. 74-92
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  1. “Roll It Gal”: Alison Hinds, Female Empowerment, and Calypso
  2. Jennifer Thorington Springer
  3. pp. 93-129
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  1. Las Krudas, Spatial Practice, and the Performance of Diaspora
  2. Ronni Armstead
  3. pp. 130-143
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  1. Meri Awaaz Suno: Women, Vocality, and Nation in Hindi Cinema
  2. Pavitra Sundar
  3. pp. 144-179
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  1. "All That You Can’t Leave Behind": Black Female Soul Singing and the Politics of Surrogation in the Age of Catastrophe
  2. Daphne A. Brooks
  3. pp. 180-204
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  1. Still
  2. Ayanah Moor
  3. pp. 205-210
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  1. “Drop It Like It’s Hot”: Culture Industry Laborers and Their Perspectives on Rap Music Video Production
  2. Mako Fitts
  3. pp. 211-235
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  1. The Essence of Res(ex)pectability: Black Women’s Negotiation of Black Femininity in Rap Music and Music Video
  2. Shanara R. Reid-Brinkley
  3. pp. 236-260
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  1. Hip-Hop Honeys and Da Hustlaz: Black Sexualities in the New Hip-Hop Pornography
  2. Mireille Miller-young
  3. pp. 261-292
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  1. Women, Pop Music, and Pornography
  2. Meredith Levande
  3. pp. 293-321
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  1. Editor’s Preface
  2. Paula J. Giddings
  3. p. v
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  1. Introduction: Representin’: Women, Hip-Hop, and Popular Music
  2. Janell Hobson, Dianne Bartlow
  3. pp. 1-14
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  1. About the Contributors
  2. pp. 322-324
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