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In this Issue

Table of Contents

  1. Introduction: Rethinking Restoration and Eighteenth-Century Drama
  2. Robert Markley
  3. pp. 1-6
  4. DOI: https://doi.org/10.1353/cdr.2008.0014
  5. restricted access
  1. “All injury’s forgot”: Restoration Sex Comedy and National Amnesia
  2. Laura J. Rosenthal
  3. pp. 7-28
  4. DOI: https://doi.org/10.1353/cdr.2008.0016
  5. restricted access
  1. Gimcrack’s Legacy: Sex, Wealth, and the Theater of Experimental Philosophy
  2. Tita Chico
  3. pp. 29-49
  4. DOI: https://doi.org/10.1353/cdr.2008.0018
  5. restricted access
  1. The Paradoxes of Slavery in Thomas Southerne’s Oroonoko
  2. Diana Jaher
  3. pp. 51-71
  4. DOI: https://doi.org/10.1353/cdr.2008.0013
  5. restricted access
  1. Performing the West Indies: Comedy, Feeling, and British Identity
  2. Jean Marsden
  3. pp. 73-88
  4. DOI: https://doi.org/10.1353/cdr.2008.0015
  5. restricted access
  1. Sheridan, The School for Scandal, and Aggression
  2. James Thompson
  3. pp. 301-302
  4. DOI: https://doi.org/10.1353/cdr.2008.0017
  5. restricted access

Contributors

  1. Contributors
  2. pp. 99-100
  3. DOI: https://doi.org/10.1353/cdr.2008.0019
  4. restricted access