1. Acknowledgements
  2. pp. 1-2
  3. DOI: 10.1353/wgy.2008.0003
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  1. The Complexities of Caroline Pichler: Conflicting Role Models, Patriotic Commitment, and The Swedes in Prague (1827)
  2. Ritchie Robertson
  3. pp. 34-48
  4. DOI: 10.1353/wgy.2008.0004
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  1. Creating a Maidservant Community through Newspapers: The Berliner Dienstboten-Zeitung, 1898–1900
  2. Julia Karolle-Berg
  3. pp. 49-75
  4. DOI: 10.1353/wgy.2008.0009
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  1. A Tale of Two Cities: The Metropolis in Lou Andreas-Salomé's Fenitschka
  2. Laura Deiulio
  3. pp. 76-101
  4. DOI: 10.1353/wgy.2008.0008
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  1. Lisabeth Hock
  2. pp. 102-125
  3. DOI: 10.1353/wgy.2008.0005
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  1. Double Visions: Queer Femininity and Holocaust Film from Ostatni Etap to Aimée & Jaguar
  2. Cathy S. Gelbin
  3. pp. 179-204
  4. DOI: 10.1353/wgy.2008.0012
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  1. Transnational Germany:
  2. Christina Gerhardt
  3. pp. 205-233
  4. DOI: 10.1353/wgy.2008.0000
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  1. Projecting Trauma: The Femme Fatale in Weimar and Hollywood Film Noir
  2. Barbara Hales
  3. pp. 224-243
  4. DOI: 10.1353/wgy.2008.0002
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  1. Preface
  2. Helga Kraft, Maggie McCarthy
  3. pp. ix-xi
  4. DOI: 10.1353/wgy.2008.0011
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  1. About the Contributors
  2. pp. 244-247
  3. DOI: 10.1353/wgy.2008.0006
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