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Browse Book and Journal Content on Project MUSE


pp. 1-2 | DOI: 10.1353/wgy.2008.0003


pp. ix-xi | DOI: 10.1353/wgy.2008.0011

Self-Interview by Esther Dischereit—Based on a Conversation with Sonja Fritzsche and Jennifer Good

pp. 1-9 | DOI: 10.1353/wgy.2008.0010

The Romantic and Modern Practice of Animal Magnetism: Friedrich Schlegel's Protocols of the Magnetic Treatment of Countess Lesniowska

pp. 10-33 | DOI: 10.1353/wgy.2008.0007

The Complexities of Caroline Pichler: Conflicting Role Models, Patriotic Commitment, and The Swedes in Prague (1827)

pp. 34-48 | DOI: 10.1353/wgy.2008.0004

Creating a Maidservant Community through Newspapers: The Berliner Dienstboten-Zeitung, 1898–1900

pp. 49-75 | DOI: 10.1353/wgy.2008.0009

A Tale of Two Cities: The Metropolis in Lou Andreas-Salomé's Fenitschka

pp. 76-101 | DOI: 10.1353/wgy.2008.0008
pp. 102-125 | DOI: 10.1353/wgy.2008.0005

"The most famous Jewish pacifist was Jesus of Nazareth": German-Jewish Pacifist Clementine Krämer's Stories of War and Visions for Peace

pp. 127-155 | DOI: 10.1353/wgy.2008.0013

Transatlantic Perspectives on Men, Women, and Other Primates: The Ape Motif in Kafka, Canetti, and Cooper's and Jackson's King Kong Films

pp. 156-178 | DOI: 10.1353/wgy.2008.0001

Focus: Film

Double Visions: Queer Femininity and Holocaust Film from Ostatni Etap to Aimée & Jaguar

pp. 179-204 | DOI: 10.1353/wgy.2008.0012

Transnational Germany:

pp. 205-233 | DOI: 10.1353/wgy.2008.0000

Projecting Trauma: The Femme Fatale in Weimar and Hollywood Film Noir

pp. 224-243 | DOI: 10.1353/wgy.2008.0002


About the Contributors

pp. 244-247 | DOI: 10.1353/wgy.2008.0006