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In this Issue

Table of Contents

  1. The Sense of Touch in 'Don Giovanni'
  2. Stephen C. Rumph
  3. pp. 561-588
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  1. Another Mass Attributable to Giovanni Rovetta
  2. Jonathan R. J. Drennan
  3. pp. 589-603
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  1. Lutosławski, 'Akcja', and the Poetics of Musical Plot
  2. Nicholas Reyland
  3. pp. 604-631
  4. restricted access
  1. From Sketch to Score: A Facsimile Edition of Boulez's 'Le Marteau sans maître'
  2. Peter O'Hagan
  3. pp. 632-644
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  1. Music and Ideas in the Sixteenth and Seventeenth Centuries (review)
  2. Kate Van Orden
  3. pp. 645-646
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  1. The Royal Chapel in the Time of the Habsburgs: Music and Court Ceremony in Early Modern Europe (review)
  2. Vassilis Vavoulis
  3. pp. 646-650
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  1. The Courtesan's Arts: Cross-Cultural Perspectives (review)
  2. Donna G. Cardamone
  3. pp. 650-652
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  1. The Art of Commedia: A Study in the Commedia dell'Arte 1560-1620 with Special Reference to the Visual Records (review)
  2. Thomas F. Heck
  3. pp. 652-653
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  1. 'To Fill, Forbear, or Adorne': The Organ Accompaniment of Restoration Sacred Music (review)
  2. H. Diack Johnstone
  3. pp. 653-655
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  1. The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style (review)
  2. B. W. Ife
  3. pp. 655-658
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  1. Recognition in Mozart's Operas (review)
  2. Andrew Steptoe
  3. pp. 658-660
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  1. The Symphony in Beethoven's Vienna (review)
  2. Barry Cooper
  3. pp. 661-663
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  1. E. T. A. Hoffmann's Musical Aesthetics (review)
  2. Matthew Riley
  3. pp. 663-664
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  1. Bruckners Neunte im Fegefeuer der Rezeption (review)
  2. Julian Horton
  3. pp. 664-667
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  1. Jumping to Conclusions: The Falling-Third Cadences in Chant, Polyphony, and Recitative (review)
  2. Emma Hornby
  3. pp. 667-670
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  1. Les Offices historiques ou 'historiae'composés pour les fêtes des saints dans la province ecclésiastique de Reims (775-1030) (review)
  2. David Hiley
  3. pp. 670-672
  4. restricted access
  1. The Old French Ballette: Oxford, Bodleian Library, MS Douce 308 (review)
  2. Elizabeth Eva Leach
  3. pp. 673-676
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  1. Instruments à claviers-/-expressivité et flexibilité sonore: Actes des rencontres internationales harmoniques, Lausanne 2002 (review)
  2. Dorothy De Val
  3. pp. 676-680
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  1. Fromental Halévy: La Reine de Chypre. Dossier de presse parisienne (1841) (review)
  2. Mark A. Pottinger
  3. pp. 680-682
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  1. Republican Morality and Catholic Tradition in the Opera: Massenet's Hérodiade and Thaïs (review)
  2. Steven Huebner
  3. pp. 683-684
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  1. Victorian Songhunters: The Recovery and Editing of English Vernacular Ballads and Folk Lyrics, 1820-1883 (review)
  2. Derek B. Scott
  3. pp. 684-685
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  1. Taffanel: Genius of the Flute (review)
  2. Richard Langham Smith
  3. pp. 685-688
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  1. The Musical Crowd in English Fiction, 1840-1910: Class, Culture and Nation (review)
  2. Jeffrey Richards
  3. pp. 688-689
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  1. The Prima Donna and Opera, 1815-1930 (review)
  2. Alexandra Wilson
  3. pp. 689-692
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  1. Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951) (review)
  2. Bryan R. Simms
  3. pp. 692-695
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  1. Dmitri Shostakovich: A Life in Film (review)
  2. Erik Heine
  3. pp. 695-697
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  1. Shostakovich: A Life Remembered (New Edition) (review)
  2. David Fanning
  3. pp. 697-698
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  1. Changing Tunes: The Use of Pre-existing Music in Film (review)
  2. Marcia J. Citron
  3. pp. 698-702
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  1. Edgard Varèse: Composer, Sound Sculptor, Visionary (review)
  2. David Nicholls
  3. pp. 702-704
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  1. Voices in the Wilderness: Six American Neo-Romantic Composers (review)
  2. David Nicholls
  3. pp. 704-706
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  1. Morton Feldman Says: Selected Interviews and Lectures 1964-1987 (review)
  2. Clemens Gresser
  3. pp. 706-708
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  1. True to the Roots: Americana Music Revealed (review)
  2. Sarah Hill
  3. pp. 708-709
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  1. Music in Brazil: Experiencing Music, Expressing Culture (review)
  2. Rogério Budasz
  3. pp. 709-711
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  1. Recipients of 'Music & Letters' Awards
  2. p. 712
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  1. The Westup Prize
  2. p. 712
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  1. Authors of Articles in this Issue
  2. p. 714
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  1. Books Received
  2. pp. 715-716
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