1. The Cult of Passion in The Age of Innocence
  2. Lloyd M. Daigrepont
  3. pp. 1-15
  4. DOI: 10.1353/alr.2008.0014
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  1. Marking Her Territory: Feline Behavior in “The Yellow Wall-Paper”
  2. Catherine J. Golden
  3. pp. 16-31
  4. DOI: 10.1353/alr.2008.0017
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  1. Sympathy and Sensation: Elizabeth Jordan, Lizzie Borden, and the Female Reporter in the Late Nineteenth Century
  2. Karen Roggenkamp
  3. pp. 32-51
  4. DOI: 10.1353/alr.2008.0013
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  1. Stephen Crane's Sources and Allusions in “The Bride Comes to Yellow Sky” and “Moonlight on the Snow”
  2. Paul Sorrentino
  3. pp. 52-65
  4. DOI: 10.1353/alr.2008.0016
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  1. Architecture and Autobiography in “The Revolt of ‘Mother’”
  2. Michael Grimwood
  3. pp. 66-82
  4. DOI: 10.1353/alr.2008.0004
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  1. New York City, Social Progress and the Crowd: Jack London's “Telic Action & Collective Stupidity”
  2. Susan Golden
  3. pp. 83-88
  4. DOI: 10.1353/alr.2008.0010
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  1. John Burroughs and the Place of Nature (review)
  2. Frank Bergon
  3. pp. 89-90
  4. DOI: 10.1353/alr.2008.0011
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  1. Laboring to Play: Home Entertainment and the Spectacle of Middle-Class Cultural Life, 1850-1920 (review)
  2. Nancy Morrow
  3. pp. 90-92
  4. DOI: 10.1353/alr.2008.0001
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