restricted access   Volume 48, Number 3, Fall 2002

Table of Contents

From: MFS Modern Fiction Studies

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Editor's Note

p. 551


Refiguring National Character: The Remains of the British Estate Novel

pp. 552-580

"I made the ink": Identity, Complicity, 60 Million, and More

pp. 581-613

Of Fanciers, Footnotes, and Fascism: Virginia Woolf's Flush

pp. 614-636

Impersonation and Other Disappearing Acts in Native Speaker by Chang-Rae Lee

pp. 637-667

Corso, Ricorso: Historical Repetition and Cultural Reflection in A. S. Byatt's Possession: A Romance

pp. 668-692

Postpatriarchal Endings in Recent US Fiction

pp. 693-712

Review Essays

Implication or Application? Theory in Recent Approaches to Conrad

pp. 713-726

Generational Hauntings: The Family Romance in Contemporary Fictions of Raced History

pp. 727-736

Defining Caribbean Identity

pp. 737-745

Thanatopsis: Writing and Witnessing in the Age of AIDS

pp. 746-750

Book Reviews


Publishing the Family (review)

pp. 753-755

Dirt and Desire: Reconstructing Southern Women's Writing, 1930-1990 (review)

pp. 755-757

Saints, Sinners, Saviors: Strong Black Women in African American Literature (review)

pp. 757-759

American Literary Realism, Critical Theory, and Intellectual Prestige, 1880-1995 (review)

pp. 759-761

A Trauma Artist: Tim O'Brien and the Fiction of Vietnam (review)

pp. 761-763

American Magic and Dread: Don DeLillo's Dialogue with Culture (review)

pp. 763-765

Britain, Ireland, and Continental Europe

Gestural Politics: Stereotype and Parody in Joyce (review)

pp. 766-768

Interpreting Narrative in the Novels of Samuel Beckett (review)

pp. 768-770

Deconstructing Ireland: Identity, Theory, Culture (review)

pp. 770-772

Other World Literatures

Men Without Women: Masculinity & Revolution in Russian Fiction, 1917-1929 (review)

pp. 773-775

Theory and Cultural Studies

The Eye's Mind: Literary Modernism and Visual Culture (review)

pp. 776-778

Reciprocities in the Nonfiction Novel (review)

pp. 778-780

Deficits and Desires: Economics and Sexuality in Twentieth-Century Literature (review)

pp. 780-782

The Bitch is Back: Wicked Women in Literature (review)

pp. 782-784


pp. 785-786