1. "Defying Gravity": Queer Conventions in the Musical Wicked
  2. Stacy Ellen Wolf
  3. pp. 1-21
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  1. "Victim. Perpetrator. Bystander": Melancholic Witnessing of Sarah Kane's 4.48 Psychosis
  2. Alicia Tycer
  3. pp. 23-36
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  1. Roll yo' hips—don't roll yo' eyes : Angularity and Embodied Spectatorship in Zora Neale Hurston's Play, Cold Keener
  2. Jennifer A. Cayer
  3. pp. 37-69
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  1. Al-halqa in Arabic Theatre: An Emerging Site of Hybridity
  2. Khalid Amine, Marvin A. Carlson
  3. pp. 71-85
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  1. Caterina's Colombina: The Birth of a Female Trickster in Seventeenth-Century France
  2. Domnica Radulescu
  3. pp. 87-113
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  1. Los Illegals (review)
  2. David Román
  3. pp. 115-117
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  1. National Arts Festival (review)
  2. Loren Kruger
  3. pp. 117-120
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  1. Theatertreffen Festival (review)
  2. Jennifer Worth
  3. pp. 120-125
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  1. Bahar Noktasi, and: Timon of Athens (review)
  2. Laurence Raw
  3. pp. 125-127
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  1. Tempo de Verão (review)
  2. Clare Croft
  3. pp. 127-128
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  1. The Cherry Orchard, and: Uncle Vanya, and: Three Sisters, and: The Seagull (review)
  2. Stuart Young
  3. pp. 129-132
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  1. The Coast of Utopia (Voyage, Shipwreck, Salvage) (review)
  2. E. Teresa Choate
  3. pp. 133-137
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  1. Blue Shade (review)
  2. Donovan Sherman
  3. pp. 137-139
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  1. Waves, and: Attempts on Her Life (review)
  2. Neil Martin Blackadder
  3. pp. 139-141
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  1. Days of Significance (review)
  2. Mark Pizzato
  3. pp. 141-143
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  1. The Color Purple (review)
  2. Nicole Hodges Persley
  3. pp. 143-144
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  1. In The Heights (review)
  2. Roxane Heinze
  3. pp. 145-146
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  1. The Skin of Our Teeth (review)
  2. Tiffany Knight Raymond
  3. pp. 146-148
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  1. A Moon for the Misbegotten (review)
  2. Steve Earnest
  3. pp. 148-149
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  1. The Cambridge Companion to Edward Albee (review)
  2. Michael Y. Bennett
  3. pp. 151-152
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  1. Thornton Wilder and the Puritan Narrative Tradition (review)
  2. Fonzie D. Geary
  3. pp. 152-153
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  1. Sisters In Sin: Brothel Drama In America, 1900-1920 (review)
  2. Dorothy Chansky
  3. pp. 153-154
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  1. Strange Duets: Impresarios and Actresses In the American Theatre, 1865-1914 (review)
  2. Eileen Curley
  3. pp. 155-156
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  1. Early American Women Critics: Performance, Religion, Race (review)
  2. Heather S. Nathans
  3. pp. 156-157
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  1. An Eye on Race: Perspectives From Theater in Imperial Spain (review)
  2. Ted L. L. Bergman
  3. pp. 157-158
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  1. Cultural Agency In the Americas (review)
  2. Ramon H. Rivera-Servera
  3. pp. 158-160
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  1. Codifying the National Self: Spectators, Actors and the American Dramatic Text (review)
  2. Yuko Kurahashi
  3. pp. 160-161
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  1. The American Musical and the Performance of Personal Identity (review)
  2. Diana Calderazzo
  3. pp. 161-163
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  1. The Musical as Drama (review)
  2. Laura MacDonald
  3. pp. 163-164
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  1. Drama/Theatre/Performance (review)
  2. Lisa Jane Gaughan
  3. pp. 164-165
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  1. Stage Fright, Animals, and Other Theatrical Problems (review)
  2. Kélina Gotman
  3. pp. 165-167
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  1. Theatre, Body and Pleasure (review)
  2. Jeffrey Scott
  3. pp. 167-168
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  1. Against Theatre: Creative Destructions on the Modernist Stage (review)
  2. David S. Escoffery
  3. pp. 168-169
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  1. Mistero Buffo. The Collected Plays of Dario Fo, Volume Two (review)
  2. Stefano Muneroni
  3. pp. 169-170
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  1. Stages of Evil: Occultism in Western Theater and Drama (review)
  2. Miriam Kammer
  3. pp. 170-171
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  1. Editorial Comment
  2. Catherine Schuler
  3. pp. vii-viii
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  1. Books Received
  2. pp. 172-177
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