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  Volume 25, Number 1, Spring 2008

Table of Contents

From: South Central Review

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Special Issue: Staging Modernism

Guest Editor: Katherine E. kelly and Penny Farfan

Staging Modernism: Introduction

pp. 1-11 | DOI: 10.1353/scr.2008.0003


Pandemic and Performance: Ibsen and the Outbreak of Modernism

pp. 12-35 | DOI: 10.1353/scr.2008.0007

Feminism, Theatre Criticism, and the Modern Drama

pp. 36-55 | DOI: 10.1353/scr.2008.0010

Theatrical Ethnography and Modernist Primitivism in Eugene O'Neill and Zora Neale Hurston

pp. 56-73 | DOI: 10.1353/scr.2008.0012

Man as Beast: Nijinsky's Faun

pp. 74-92 | DOI: 10.1353/scr.2008.0005

Performing "Stormy Weather": Ethel Waters, Lena Horne, and Katherine Dunham

pp. 93-113 | DOI: 10.1353/scr.2008.0013

Art Deco Worlds in a Tomb: Reanimating Egypt in Modern(ist) Visual Culture

pp. 114-135 | DOI: 10.1353/scr.2008.0000

Mohan Rakesh, Modernism, and the Postcolonial Present

pp. 136-162 | DOI: 10.1353/scr.2008.0008

Review Essay

Antitheatricality, Ibsen, and Black Women's Bodies

pp. 163-169 | DOI: 10.1353/scr.2008.0009


Learning from Lying: Paradoxes of the Literary Mystification (review)

pp. 170-171 | DOI: 10.1353/scr.2008.0004

William Faulkner's Legacy: "What Shadow, What Stain, What Mark" (review)

pp. 172-173 | DOI: 10.1353/scr.2008.0011

Women, Performance, and Modernism (review)

pp. 174-175 | DOI: 10.1353/scr.2008.0002


Notes on Contributors

pp. 176-177 | DOI: 10.1353/scr.2008.0006

Books Received

Books Received

p. 178 | DOI: 10.1353/scr.2008.0001

Research Areas


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