1. Editor's Note
  2. John N. Duvall
  3. pp. 721-722
  4. DOI: 10.1353/mfs.2001.0081
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  1. "Remorse and Power": Conrad's Karain and the Queen
  2. David Adams
  3. pp. 723-752
  4. DOI: 10.1353/mfs.2001.0068
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  1. A Slow and Dark Birth: Aesthetic Maturation and the Entelechic Narrative in James Joyce's Ulysses
  2. Eric D. Smith
  3. pp. 753-773
  4. DOI: 10.1353/mfs.2001.0106
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  1. A Portrait of the Snob: James Joyce and the Anxieties of Cultural Capital
  2. Sean Latham
  3. pp. 774-799
  4. DOI: 10.1353/mfs.2001.0091
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  1. "A Further Reservation in Favour of Strangeness": Isherwood's Queer Pastoral in The Mortmere Stories and "On Reugen Island"
  2. Stuart Christie
  3. pp. 800-830
  4. DOI: 10.1353/mfs.2001.0074
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  1. Cold Comfort Farm, D. H. Lawrence, and English Literary Culture Between the Wars
  2. Faye Hammill
  3. pp. 831-854
  4. DOI: 10.1353/mfs.2001.0086
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  1. Postcolonial Complexity in the Writings of Rudy Wiebe
  2. Ervin Beck
  3. pp. 855-886
  4. DOI: 10.1353/mfs.2001.0071
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  1. The Postmodern Imaginary in William Gibson's Neuromancer
  2. Tony Myers
  3. pp. 887-909
  4. DOI: 10.1353/mfs.2001.0100
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  1. On the "Simplicity" of Sandra Cisneros's House on Mango Street
  2. Felicia J. Cruz
  3. pp. 910-946
  4. DOI: 10.1353/mfs.2001.0078
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  1. Edith Wharton and the Fiction of Marital Unity
  2. Laura K. Johnson
  3. pp. 947-976
  4. DOI: 10.1353/mfs.2001.0088
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  1. Idealized, Debased, and Ordinary: Gender in (Post)Modern Circuits of Desire
  2. Madelyn Detloff
  3. pp. 977-985
  4. DOI: 10.1353/mfs.2001.0079
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  1. What's Contemporary about Contemporary Women's Fiction?
  2. Sally Robinson
  3. pp. 986-994
  4. DOI: 10.1353/mfs.2001.0103
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  1. The Perils of Disembodied Readership
  2. Tim Engles
  3. pp. 995-1003
  4. DOI: 10.1353/mfs.2001.0083
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  1. James Joyce after Postcolonialism
  2. Susan C. Harris
  3. pp. 1004-1008
  4. DOI: 10.1353/mfs.2001.0087
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  1. Placing the Unplaceable: The Dilemmas of Samuel Beckett's Fiction
  2. William J. Cloonan
  3. pp. 1009-1018
  4. DOI: 10.1353/mfs.2001.0075
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  1. New Deal Modernism: American Literature and the Invention of the Welfare State (review)
  2. Sean McCann
  3. pp. 1021-1023
  4. DOI: 10.1353/mfs.2001.0095
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  1. Labor's Text: The Worker in American Fiction (review)
  2. M. Keith Booker
  3. pp. 1023-1025
  4. DOI: 10.1353/mfs.2001.0072
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  1. Literary Culture and U.S. Imperialism: From the Revolution to World War II (review)
  2. William M. Morgan
  3. pp. 1025-1027
  4. DOI: 10.1353/mfs.2001.0099
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  1. Imagining Each Other: Blacks and Jews in Contemporary American Literature (review)
  2. Jeffrey Paul Melnick
  3. pp. 1027-1029
  4. DOI: 10.1353/mfs.2001.0097
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  1. Black on Black: Twentieth-Century African American Writing about Africa (review)
  2. Gwen Athene Tarbox
  3. pp. 1029-1031
  4. DOI: 10.1353/mfs.2001.0108
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  1. Up from Bondage: The Literatures of Russian and African American Soul (review)
  2. Keith Eldon Byerman
  3. pp. 1031-1033
  4. DOI: 10.1353/mfs.2001.0073
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  1. Quiet As It's Kept: Shame, Trauma, and Race in the Novels of Toni Morrison (review)
  2. Catherine Gunther Kodat
  3. pp. 1033-1035
  4. DOI: 10.1353/mfs.2001.0090
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  1. Flannery O'Connor, Hermit Novelist (review)
  2. Sue Walker
  3. pp. 1035-1036
  4. DOI: 10.1353/mfs.2001.0109
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  1. Willa Cather: The Writer and Her World (review)
  2. John N. Swift
  3. pp. 1037-1038
  4. DOI: 10.1353/mfs.2001.0107
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  1. Impossible Women: Lesbian Figures and American Literature (review)
  2. Frann Michel
  3. pp. 1038-1040
  4. DOI: 10.1353/mfs.2001.0098
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  1. Light Writing and Life Writing: Photography in Autobiography (review)
  2. Laura Barrett
  3. pp. 1040-1042
  4. DOI: 10.1353/mfs.2001.0070
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  1. Beautiful Chaos: Chaos Theory and Metachaotics in Recent American Fiction (review)
  2. Marni J. Gauthier
  3. pp. 1043-1045
  4. DOI: 10.1353/mfs.2001.0085
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  1. Virginia Woolf Icon (review)
  2. Anne E. Fernald
  3. pp. 1046-1048
  4. DOI: 10.1353/mfs.2001.0084
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  1. Sails of the Herring Fleet: Essays on Beckett (review)
  2. Thomas P. Adler
  3. pp. 1048-1050
  4. DOI: 10.1353/mfs.2001.0069
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  1. The Years of Bloom: James Joyce in Trieste, 1904-20 (review)
  2. Enda Duffy
  3. pp. 1050-1052
  4. DOI: 10.1353/mfs.2001.0080
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  1. Joyce's Comic Portrait (review)
  2. Maren Linett
  3. pp. 1052-1054
  4. DOI: 10.1353/mfs.2001.0093
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  1. Envisioning Africa: Racism and Imperialism in Heart of Darkness (review)
  2. John G. Peters
  3. pp. 1054-1056
  4. DOI: 10.1353/mfs.2001.0101
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  1. Ethical Issues in Twentieth-Century French Fiction: Killing the Other (review)
  2. Norman Ravvin
  3. pp. 1056-1058
  4. DOI: 10.1353/mfs.2001.0102
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  1. Latent Destinies: Cultural Paranoia and Contemporary U.S. Narrative (review)
  2. Joseph Mark Conte
  3. pp. 1059-1061
  4. DOI: 10.1353/mfs.2001.0076
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  1. Reading 1922: A Return to the Scene of the Modern (review)
  2. John King
  3. pp. 1061-1063
  4. DOI: 10.1353/mfs.2001.0089
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  1. Late Modernism: Politics, Fiction, and the Arts Between the World Wars (review)
  2. Jeffrey Mathes McCarthy
  3. pp. 1063-1065
  4. DOI: 10.1353/mfs.2001.0096
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  1. Reading on the Edge: Exiles, Modernities, and Cultural Transformation in Proust, Joyce, and Baldwin (review)
  2. Pericles Lewis
  3. pp. 1065-1068
  4. DOI: 10.1353/mfs.2001.0092
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  1. Women Coauthors (review)
  2. Katharine Rodier
  3. pp. 1068-1070
  4. DOI: 10.1353/mfs.2001.0104
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  1. Writing a Politics of Perception: Memory, Holography, and Women Writers in Canada (review)
  2. Julia Emberley
  3. pp. 1070-1072
  4. DOI: 10.1353/mfs.2001.0082
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  1. Demon or Doll: Images of the Child in Contemporary Writing and Culture (review)
  2. Irving Malin
  3. pp. 1072-1073
  4. DOI: 10.1353/mfs.2001.0094
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  1. Scraps of the Untainted Sky: Science Fiction, Utopia, Dystopia (review)
  2. Heather Schell
  3. pp. 1074-1075
  4. DOI: 10.1353/mfs.2001.0105
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  1. Contributors
  2. pp. 1076-1078
  3. DOI: 10.1353/mfs.2001.0077
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