1. Adorno Public and Private
  2. Steven Helmling
  3. DOI: 10.1353/pmc.2008.0001
  4. restricted access View |
  1. Narrowing the Range of Permissible Lies: Recent Battles in the International Image Tribunal
  2. Jim Hicks
  3. DOI: 10.1353/pmc.2008.0003
  4. restricted access View |
  1. Riven: Badiou's Ethical Subject and the Event of Art as Trauma
  2. Robert Hughes
  3. DOI: 10.1353/pmc.2008.0005
  4. restricted access View |
  1. Performance and Politics in Contemporary Poetics: Three Recent Titles from Atelos Press
  2. Eric Keenaghan
  3. DOI: 10.1353/pmc.2008.0007
  4. restricted access View |
  1. Toward a Photography of Love: The Tain of the Photograph in Anne Carson's Autobiography of Red
  2. E. L. McCallum
  3. DOI: 10.1353/pmc.2008.0008
  4. restricted access View |
  1. "BONKS and BLIGHTY? Oh, Tabloid Britain!"
  2. Brook Miller
  3. DOI: 10.1353/pmc.2008.0010
  4. restricted access View |
  1. The Swerve Around P: Literary Theory after Interpretation
  2. Jeffrey T. Nealon
  3. DOI: 10.1353/pmc.2008.0000
  4. restricted access View |
  1. Motor Intentionality: Gestural Meaning in Bill Viola and Merleau-Ponty
  2. Carrie Noland
  3. DOI: 10.1353/pmc.2008.0002
  4. restricted access View |
  1. Badiou's Equations--and Inequalities: A Response to Robert Hughes's "Riven"
  2. Arkady Plotnitsky
  3. DOI: 10.1353/pmc.2008.0004
  4. restricted access View |
  1. Futures of Negation: Jameson's Archaeologies of the Future and Utopian Science Fiction
  2. Kyle A. Wiggins
  3. DOI: 10.1353/pmc.2008.0006
  4. restricted access View |
  1. Notes on Contributors
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