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Table of Contents

  1. Vision and Inversion in Nightwood
  2. Jean Gallagher
  3. pp. 279-305
  4. DOI: https://doi.org/10.1353/mfs.2001.0023
  5. restricted access
  1. The Narrator in the Closet: The Ambiguous Narrative Voice in Howards End
  2. Paul B. Armstrong
  3. pp. 306-328
  4. DOI: https://doi.org/10.1353/mfs.2001.0013
  5. restricted access
  1. Accounting for Slavery: Economic Narratives in Morrison and Faulkner
  2. Erik Dussere
  3. pp. 329-355
  4. DOI: https://doi.org/10.1353/mfs.2001.0021
  5. restricted access
  1. Undiscovering the Country: Conrad, Fitzgerald, and Meta-National Form
  2. Peter Lancelot Mallios
  3. pp. 356-390
  4. DOI: https://doi.org/10.1353/mfs.2001.0042
  5. restricted access
  1. J. M. Coetzee and the Question of the Body
  2. Brian May
  3. pp. 391-420
  4. DOI: https://doi.org/10.1353/mfs.2001.0044
  5. restricted access
  1. Rethinking History as Patchwork: The Case of Atwood's Alias Grace
  2. Magali Cornier Michael
  3. pp. 421-447
  4. DOI: https://doi.org/10.1353/mfs.2001.0045
  5. restricted access
  1. The Simple Art of Detection: The Female Detective in Victorian and Contemporary Mystery Novels
  2. Suzanne Young
  3. pp. 448-457
  4. DOI: https://doi.org/10.1353/mfs.2001.0056
  5. restricted access
  1. Re-effectuating Joyce
  2. David Herman
  3. pp. 458-464
  4. DOI: https://doi.org/10.1353/mfs.2001.0027
  5. restricted access
  1. In Search of African Literary Theory
  2. John C. Hawley
  3. pp. 465-470
  4. DOI: https://doi.org/10.1353/mfs.2001.0026
  5. restricted access
  1. Natural Aristocracy: History, Ideology, and the Production of William Faulkner (review)
  2. Ted Atkinson
  3. pp. 473-475
  4. DOI: https://doi.org/10.1353/mfs.2001.0014
  5. restricted access
  1. Faulkner on the Color Line: The Later Novels (review)
  2. Karl F. Zender
  3. pp. 475-477
  4. DOI: https://doi.org/10.1353/mfs.2001.0057
  5. restricted access
  1. Producing American Races: Henry James, William Faulkner, Toni Morrison (review)
  2. Sharon Patricia Holland
  3. pp. 477-479
  4. DOI: https://doi.org/10.1353/mfs.2001.0029
  5. restricted access
  1. Henry James and the Language of Experience (review)
  2. Georgia Kreiger
  3. pp. 479-481
  4. DOI: https://doi.org/10.1353/mfs.2001.0034
  5. restricted access
  1. Henry James's Thwarted Love (review)
  2. Dana Luciano
  3. pp. 482-483
  4. DOI: https://doi.org/10.1353/mfs.2001.0039
  5. restricted access
  1. The Twentieth-Century World of Henry James: Changes in His Work After 1900 (review)
  2. Irving Malin
  3. pp. 484-485
  4. DOI: https://doi.org/10.1353/mfs.2001.0041
  5. restricted access
  1. Immigrant Mothers: Narratives of Race and Maternity, 1890-1925 (review)
  2. Stephanie Bower
  3. pp. 485-487
  4. DOI: https://doi.org/10.1353/mfs.2001.0016
  5. restricted access
  1. Willa Cather and the Politics of Criticism (review)
  2. Joseph R. Urgo
  3. pp. 488-489
  4. DOI: https://doi.org/10.1353/mfs.2001.0054
  5. restricted access
  1. Contemporary American Indian Literatures and the Oral Tradition (review)
  2. Alanna Kathleen Brown
  3. pp. 490-491
  4. DOI: https://doi.org/10.1353/mfs.2001.0017
  5. restricted access
  1. Coyote Kills John Wayne: Postmodernism and Contemporary Fictions of the Transcultural Frontier (review)
  2. Patricia Linton
  3. pp. 492-493
  4. DOI: https://doi.org/10.1353/mfs.2001.0037
  5. restricted access
  1. Authentic Blackness: The Folk in the New Negro Renaissance (review)
  2. Crystal J. Lucky
  3. pp. 493-495
  4. DOI: https://doi.org/10.1353/mfs.2001.0040
  5. restricted access
  1. Walker Percy's Voices (review)
  2. Kieran Quinlan
  3. pp. 496-497
  4. DOI: https://doi.org/10.1353/mfs.2001.0047
  5. restricted access
  1. Hard-Boiled: Working-Class Readers and Pulp Magazines (review)
  2. Andrew Loman
  3. pp. 497-498
  4. DOI: https://doi.org/10.1353/mfs.2001.0038
  5. restricted access
  1. Jack Kerouac's Duluoz Legend: The Mythic Form of an Autobiographical Fiction (review)
  2. Matthew Kelley
  3. pp. 499-501
  4. DOI: https://doi.org/10.1353/mfs.2001.0032
  5. restricted access
  1. Novels From Reagan's America: A New Realism (review)
  2. Joseph S. Walker
  3. pp. 501-503
  4. DOI: https://doi.org/10.1353/mfs.2001.0055
  5. restricted access
  1. Virginia Woolf (review)
  2. Mark Hussey
  3. pp. 504-506
  4. DOI: https://doi.org/10.1353/mfs.2001.0030
  5. restricted access
  1. Sympathy and Joyce's Dubliners: Ethical Probing of Reading, Narrative, and Textuality (review)
  2. Celia Marshik
  3. pp. 506-508
  4. DOI: https://doi.org/10.1353/mfs.2001.0043
  5. restricted access
  1. Outsiders Together: Virginia and Leonard Woolf (review)
  2. Edward O'Shea
  3. pp. 508-510
  4. DOI: https://doi.org/10.1353/mfs.2001.0046
  5. restricted access
  1. Virginia Woolf's Essays (review)
  2. Sonita Sarker
  3. pp. 510-513
  4. DOI: https://doi.org/10.1353/mfs.2001.0050
  5. restricted access
  1. "Woman, Your Hour is Sounding": Continuity and Change in French Women's Great War Fiction, 1914-1919 (review)
  2. Suzanne Raitt
  3. pp. 513-515
  4. DOI: https://doi.org/10.1353/mfs.2001.0048
  5. restricted access
  1. The Pleasure of Writing: Critical Essays on Dacia Maraini (review)
  2. Laura A. Salsini
  3. pp. 515-517
  4. DOI: https://doi.org/10.1353/mfs.2001.0049
  5. restricted access
  1. Prague Territories (review)
  2. Leon Titche
  3. pp. 517-518
  4. DOI: https://doi.org/10.1353/mfs.2001.0052
  5. restricted access
  1. Chinese Modern: The Heroic and the Quotidian (review)
  2. Ming-yan Lai
  3. pp. 519-521
  4. DOI: https://doi.org/10.1353/mfs.2001.0035
  5. restricted access
  1. Pierre Bourdieu: Fieldwork in Culture (review)
  2. Christopher Lindsay Turner
  3. pp. 522-526
  4. DOI: https://doi.org/10.1353/mfs.2001.0053
  5. restricted access
  1. The Agon of Modernism: Wyndham Lewis's Allegories, Aesthetics, and Politics (review)
  2. Elizabeth Hirsh
  3. pp. 526-528
  4. DOI: https://doi.org/10.1353/mfs.2001.0028
  5. restricted access
  1. Umberto Eco: Philosophy, Semiotics and the Work of Fiction (review)
  2. Norma Bouchard
  3. pp. 528-530
  4. DOI: https://doi.org/10.1353/mfs.2001.0015
  5. restricted access
  1. Saying I No More: Subjectivity and Consciousness in the Prose of Samuel Beckett (review)
  2. Jennifer M. Jeffers
  3. pp. 530-532
  4. DOI: https://doi.org/10.1353/mfs.2001.0031
  5. restricted access
  1. How Our Lives Become Stories: Making Selves (review)
  2. Philip Douglas
  3. pp. 532-534
  4. DOI: https://doi.org/10.1353/mfs.2001.0020
  5. restricted access
  1. Other Sexes: Rewriting Difference from Woolf to Winterson (review)
  2. Barbara Leckie
  3. pp. 535-537
  4. DOI: https://doi.org/10.1353/mfs.2001.0036
  5. restricted access
  1. Straight with a Twist: Queer Theory and the Subject of Heterosexuality (review)
  2. Maureen F. Curtin
  3. pp. 537-539
  4. DOI: https://doi.org/10.1353/mfs.2001.0019
  5. restricted access
  1. Countermodernism and Francophone Literary Culture: The Game of Slipknot (review)
  2. Frieda Ekotto
  3. pp. 540-541
  4. DOI: https://doi.org/10.1353/mfs.2001.0022
  5. restricted access
  1. Neo-slave Narratives: Studies in the Social Logic of a Literary Form (review)
  2. Eric Gardner
  3. pp. 541-543
  4. DOI: https://doi.org/10.1353/mfs.2001.0024
  5. restricted access
  1. Alice to the Lighthouse: Children's Books and Radical Experiments in Art (review)
  2. Jen Shelton
  3. pp. 543-545
  4. DOI: https://doi.org/10.1353/mfs.2001.0051
  5. restricted access
  1. In the Age of Distraction (review)
  2. Carol A. Kolmerten
  3. pp. 545-547
  4. DOI: https://doi.org/10.1353/mfs.2001.0033
  5. restricted access
  1. Rhetorical Narratology (review)
  2. Peter K. Garrett
  3. pp. 547-549
  4. DOI: https://doi.org/10.1353/mfs.2001.0025
  5. restricted access
  1. Contributors
  2. pp. 550-551
  3. DOI: https://doi.org/10.1353/mfs.2001.0018
  4. restricted access