1. Who Can Write An Opera? F.C. Bressand and the Baroque Opera Libretto
  2. Emily S. Hauze
  3. pp. 441-453
  4. DOI: 10.1353/mon.2008.0014
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  1. Damned to Heaven: The Tragedy of Faust Revisited
  2. Astrida Orle Tantillo
  3. pp. 454-468
  4. DOI: 10.1353/mon.2008.0024
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  1. The Face of the Weimar Republic. Photography, Physiognomy, and Propaganda in Weimar Germany
  2. Matthias Uecker
  3. pp. 469-484
  4. DOI: 10.1353/mon.2008.0005
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  1. Phasenweise Zuwendung. Stadtideale in Brigitte Reimanns Roman Franziska Linkerhand
  2. Rainer Godel
  3. pp. 485-500
  4. DOI: 10.1353/mon.2008.0002
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  1. Personalia 2007
  2. Kristopher Imbrigotta
  3. pp. 501-553
  4. DOI: 10.1353/mon.2008.0000
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  1. Europäisches Sprachdenken.Von Platon bis Wittgenstein (review)
  2. Wolfert von Rahden
  3. pp. 554-556
  4. DOI: 10.1353/mon.2008.0022
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  1. "fülle der combination". Literaturforschung und Wissenschaftsgeschichte (review)
  2. Heather I. Sullivan
  3. pp. 556-558
  4. DOI: 10.1353/mon.2008.0019
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  1. Der andere Orientalismus. Regeln deutsch-morgenländischer Imagination im 19. Jahrhundert (review)
  2. Kamakshi P. Murti
  3. pp. 558-560
  4. DOI: 10.1353/mon.2008.0021
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  1. Dialektik der postkolonialen Hybridität. Die intrakulturelle Überwindung des kolonialen Blicks in der Literatur (review)
  2. Birgit Tautz
  3. pp. 560-561
  4. DOI: 10.1353/mon.2008.0007
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  1. A Companion to Wagner's Parsifal (review)
  2. Anthony J. Steinhoff
  3. pp. 561-563
  4. DOI: 10.1353/mon.2008.0015
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  1. The German Invention of Race (review)
  2. Carl Niekerk
  3. pp. 563-566
  4. DOI: 10.1353/mon.2008.0026
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  1. Performance and Femininity in Eighteenth-Century German Women's Writing: The Impossible Act (review)
  2. Gail Kathleen Hart
  3. pp. 566-568
  4. DOI: 10.1353/mon.2008.0010
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  1. Karl Philipp Moritz. Literarische Experimente auf dem Weg zum psychologischen Roman (review)
  2. Markus Wilczek
  3. pp. 568-570
  4. DOI: 10.1353/mon.2008.0017
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  1. Studien zur Goethezeit (review)
  2. Ehrhard Bahr
  3. pp. 570-571
  4. DOI: 10.1353/mon.2008.0025
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  1. Pathos, Ausdruck und Bewegung. Zur Ästhetik des Weimarer Klassizismus 1796–1806 (review)
  2. Peter J. Schwartz
  3. pp. 571-573
  4. DOI: 10.1353/mon.2008.0011
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  1. The Literature of German Romanticism (review)
  2. Karen J. Campbell
  3. pp. 573-576
  4. DOI: 10.1353/mon.2008.0006
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  1. Der deutsche Napoleon-Mythos. Literatur und Erinnerung 1800 –1945 (review)
  2. Jost Hermand
  3. pp. 576-577
  4. DOI: 10.1353/mon.2008.0018
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  1. Sexualität und Modernität. Studien zum deutschen Drama des Fin de Siècle (review)
  2. Romana Weiershausen
  3. pp. 578-580
  4. DOI: 10.1353/mon.2008.0027
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  1. A History of Austrian Literature: 1918–2000 (review)
  2. Katherine Arens
  3. pp. 580-582
  4. DOI: 10.1353/mon.2008.0020
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  1. The Hotel As Setting in Early Twentieth-Century German and Austrian Literature: Checking in to Tell a Story (review)
  2. Felix W. Tweraser
  3. pp. 582-584
  4. DOI: 10.1353/mon.2008.0009
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  1. Mobile Modernity: Germans, Jews, Trains (review)
  2. Dagmar C. G. Lorenz
  3. pp. 590-591
  4. DOI: 10.1353/mon.2008.0008
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  1. Words from Abroad: Trauma and Displacement in Postwar German Jewish Writers (review)
  2. Rochelle Tobias
  3. pp. 591-594
  4. DOI: 10.1353/mon.2008.0001
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  1. Sex after Fascism. Memory and Morality in Twentieth-Century Germany (review)
  2. Frederick Alfred Lubich
  3. pp. 594-596
  4. DOI: 10.1353/mon.2008.0012
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  1. Macht. Performativität, Performanz und Polittheater seit 1990 (review)
  2. Dagmar Jaeger
  3. pp. 596-597
  4. DOI: 10.1353/mon.2008.0004
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  1. German Memory Contests: The Quest for Identity in Literature, Film, and Discourse since 1990 (review)
  2. Joseph W. Moser
  3. pp. 597-598
  4. DOI: 10.1353/mon.2008.0016
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  1. Index: Volume 99 (2007)
  2. pp. 599-604
  3. DOI: 10.1353/mon.2008.0023
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