1. How Does Hanoi Rock? The Way to Rock and Roll in Vietnam
  2. Jason Gibbs
  3. pp. 5-25
  4. DOI: 10.1353/amu.2007.0040
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  1. Starting from Nowhere? Popular Music in Cambodia after the Khmer Rouge
  2. Stephen Mamula
  3. pp. 26-41
  4. DOI: 10.1353/amu.2007.0044
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  1. Treasures of the Island People: Tradition and Modernity in Yaeyaman Pop Music
  2. Matt Gillan
  3. pp. 42-68
  4. DOI: 10.1353/amu.2007.0041
  5. restricted access View | Download |
  1. Western Style, Chinese Pop: Jay Chou's Rap and Hip-Hop in China
  2. Anthony Y. H. Fung
  3. pp. 69-80
  4. DOI: 10.1353/amu.2007.0047
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  1. New-Technologies, Industrial Structure, and the Consumption of Music in Japan
  2. Noriko Manabe
  3. pp. 81-107
  4. DOI: 10.1353/amu.2007.0046
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  1. Two Men and Music: Nationalism in the Making of an Indian Classical Tradition (review)
  2. Sonia Gaind
  3. pp. 135-138
  4. DOI: 10.1353/amu.2007.0049
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  1. Noora: A Golden Voice, and: Wah Rangiya: Passionate Punjab, and: Bol Ni Chakkiye: The Singing Wheel of Life (review)
  2. Peter Kvetko
  3. pp. 139-142
  4. DOI: 10.1353/amu.2007.0042
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  1. Gamelan of Central Java, vols. 5 and 7 (review)
  2. Roger R. Vetter
  3. pp. 142-146
  4. DOI: 10.1353/amu.2007.0050
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  1. Introduction: Popular Music in Changing Asia
  2. Jennifer Milioto Matsue
  3. pp. 1-4
  4. DOI: 10.1353/amu.2007.0048
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  1. About the Contributors
  2. pp. 147-149
  3. DOI: 10.1353/amu.2007.0043
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